Cartman's deeply disturbing dreams portend the end of the life he knows and loves. Meanwhile, the adults in South Park are wrestling with their own life decisions, as the advent of AI is turning their world upside down.
I sommeren 1900 fødes to drenge i en frugtbar italiensk landbrugsregion. Den ene, Alfredo (Robert De Niro), vokser op i en velhavende familie, og den anden, Olmo (Gérard Depardieu), er søn af en fattig landarbejder. Hele det italienske samfund er i opbrud, og vi befinder os i perioden mellem feudalismens ophør og både fascismens og socialismens fødsel. Selv om de to drenge kommer fra vidt forskellige kår, er de nærmest uadskillelige i drengeårene, hvor de prøver alle grænser af - fra mod til kvinder. Men der kommer også en tid, hvor de bliver nødt til at tage slægternes tunge ansvar på deres skuldre.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
Three characters living in an unfinished painting venture out into the real world in search of their creator to convince him to finish his work.
En rigmandskone som har nok i sig selv rammes af skyld efter hendes søns pludselige død. For at håndtere hendes sorg og finde mening i livet beslutter hun sig for at kaste sig ud i velgørenhed. Denne besættelse fører til konflikter med hendes mand og spørgsmål om hendes fornuft.
Lisa bor sammen med sin far og bedste ven Hasse, som hun elsker betingelsesløst. Han er metalarbejder, Sveriges stærkeste selvfølgelig! Moderen har overladt de to til sig selv, og den tabte kærlighed tager hårdt på Hasse, der drikker mere og mere. Filmen udspiller sig i 1970'ernes Sverige i et arbejdermiljø, hvor klassekamp præger hverdagen, men hvor Hasse og Lisas relation også er udfordret.
An average company employee is thrust into a delirious night after a mugging and faces a world of lost souls that he had not considered before.
In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.
In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.
Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.
Soviet animation from Vladimir Tarasov.
Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.
A Hong Kong martial arts movie redubbed by situationist René Viénet. The narrative focuses on a conflict between proletarians and bureaucrats within state capitalism. The proletarians enlist their grasp of dialectics in the fight against their oppressors, while the bureaucrats defend themselves using a combination of co-optation and violence.
A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.
A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists. In 2013 a group of armed nazis attacks a peaceful demonstration in Stockholm where several people are injured. In Greece the neo-nazi party Golden Dawn becomes the third largest in the election and in Malmö the activist Showan Shattak and his friends are attacked by a group of nazis with knives and he ends up in a coma. In this portrait of the antifascists in Greece and Sweden we get to meet key figures that explain their view on their radical politics but also to question the level their own violence and militancy.
Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.
History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.
At the time of Tunisian independence, owners of large boats decide to sell, while many small fishermen soon find themselves without work. Their wives then decide to pool their gold rings to sell them and thus buy boats.
1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.