Носителката на „Оскар” Дженифър Лоурънс се превъплъщава в руската балерина Доминика Егорова, която е вербувана от руските тайни служби да съблазни агента на ЦРУ Натаниел Наш (Джоел Едгъртън). С течение на мисията, Егорова нарушава основното правило на професията – влюбва се в своята мишена, с което двамата поставят под опасност безопасността на двете страни.
A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
In this Pacific Northwest Ballet performance, it is Christmas Eve and festivities are underway. Clara is excited when her godfather arrives with a bag full of gifts, one of which is an intriguing wooden nutcracker. That night, while the household sleeps, Clara visits the Christmas tree to inspect her nutcracker and soon finds herself immersed in a dream world both dark and enchanting.
In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.
Discovered by an eccentric ballet master, two gifted but underprivileged Mumbai teens face bigotry and disapproval as they pursue their dancing dreams.
The girls get a chance to perform with a famed ballet master who thinks Madeline is too small to succeed. Madeline's insecurity (and Pepito's teasing) keeps getting in the way of her performance until she is given a pep talk – and a pair of toe shoes – by an accomplished prima ballerina, who convinces Madeline that hard work and courage will help her excel.
Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.
The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.
The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a statue comes miraculously to life – the ending is one of forgiveness and reconciliation. Wheeldon continues his highly successful collaboration with designer Bob Crowley and composer Joby Talbot, the team behind Alice, in one of the highlights of The Royal Ballet Season.
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
Действието на балета разказва за младия шотландец Джеймс, който е целунат от ефирната фея Силфида в навечерието на сватбата си и напразно жертва всичко в името на тази неуловима любов.
The ultimate romantic ballet, performed by former Bolshoi Ballet principals Olga Smirnova and Jacopo Tissi, who fled Russia and joined the Dutch National Ballet, where this production is filmed. The young peasant girl Giselle falls in love with Albrecht, a nobleman already betrothed who hides his true identity from her. When she learns the truth, she becomes mad and dies. Against her own will, Giselle joins the Wilis: vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion… Giselle touches upon the great and universal romantic themes, and Rachel Beaujean and Ricardo Bustamante’s acclaimed production pays tribute to one of the oldest and greatest works of classical dance.
Новаторското творчество на Вирджиния Улф е вдъхновило отличения с много награди хореограф Уейн Макгрегър, който създава брилянтния триптих за Кралския Балет. От дълги години Макгрегър е на върха на балетното изкуство, работейки с най-добрите артисти. В своята творба, той умело преплита теми от три от най-известните романи на Вирджиния Улф - Мисис Далоуей, Орландо и Вълните с елементи от нейните писма, есета и дневници. Известният британски композитор Макс Рихтер специално създава партитурата на балета, като комбинира електронна и акустична музика. Балетът WOOLF WORKS е 190 мин., включително 2 антрактa.
Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).
In this resplendent and magical classic, the Bolshoi dancers - including David Hallberg in his Bolshoi debut - take us on a dream-like journey through this classic fairy tale complete with jewel fairies, a magical kingdom, a youthful princess and a handsome prince in this purest style of classical ballet. The Bolshoi’s sumptuous staging with its luxurious sets and costumes gives life to Perrault’s fairy tale unlike any other. This performance of Sleeping Beauty was filmed as a sort of celebration of the grand reopening of the Bolshoi Theater's Main Stage (it had been closed for several years for a refurbishment).
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
Вдъхновен от едноименната поема на Джордж Байрон, „Корсар“ е спиращ дъха спектакъл. Интригата включва отвличания, отравяния, манипулирана сватба и постига перфектен баланс между драма и комедия с поредица впечатляващи сцени, в които участва цялата трупа на Болшой.
Художественият ръководител на Кралския балет Лиъм Скарлет е избрал готическата класика на Мери Шели "Фраанккенщайн" като основа за своя първи драматургичен балет за голямата сцена в Ковънт гардън. История за предателство, любопитство, живот, смърт и преди всичко любов - сюжетът вдъхновява Скарлет да се потопи в най-дълбоките дебри на човешката душевност и нуждата от самоопределяне. За този вълнуващ нов проект Лиъм Скарлет е избрал отново да работи с Лоуел Либерман като го е ангажирал да създаде нова и напълно оригинална музика.