《登楼叹》是对中国追求财富和进步的悖论进行的一次印象派探索，探讨了今天实现所谓的 "中国梦 "是什么样子。 主创是华裔混血女导演杰西卡·金顿（Jessica Kingdon），拿到了翠贝卡电影节最佳纪录片。片名《登楼叹》来源于导演的外曾祖父郑泽（1882-1920）在1912年写的一首感叹家国的诗，郑曾经是辛亥革命时期政治团体南社的成员。

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

麦可．摩尔(Michael Moore)是美国最具影响力的导演之一，这次他要「侵占」他国，在比美国福利优渥的领土上插旗示威，藉此展开一场奇特又讽刺的文化之旅。曾拍摄《罗杰与我》、《华氏911》，多次创下美国纪录片票房最高纪录的导演麦可．摩尔最新话题之作。 本纪录片已获芝加哥、汉普顿国际电影节观众票选奖，有望角逐第88届奥斯卡金像奖纪录片提名

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.

The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.

A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.

Ziba is an upper-class housewife in today's modern Tehran. Unable to relate to her environment or to her alienating life, she lives within her repetition unable to express to those around her what is wrong. But one long summer day, Ziba finds herself in an unexpected situaiton in the company of people unknown to her, confronted with her own choices and indecisions. Not a character portrait per se, this film works as a visceral metaphor of the general state of oppression and silence in Iran today.

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

During a trip to the Philippines, middle-aged Norwegian Lars has met the Filipina he wants to share his life with, but to his surprise she turns him down. Lars now has to face his own prejudices and deal with this uncomfortable situation.

Maria Toikka is called to testify in a trial in which her husband Ville is charged. The assurances show the events that led to the trial from the previous fall, when Patron Oppman begins to approach Maria, offering her money in return for services.

In 1812 there were violent disturbances in Yorkshire when new machines were introduced into the wool industry. This film is an interpretation of those events made in the style of a documentary.

美国人工作更努力，薪水更低。富人越来越富有，穷人已经成为美国劳动力的定义。《美国梦和其他童话》是一场对话的开始，大多数美国人，无论贫富，都很难诚实地谈论阶级平等和价值观的转变。美国梦，曾经是我们国家的希望，现在在我们眼前消失了。 情况越来越私人化了。2018年，沃尔特·迪士尼的后裔阿比盖尔·迪士尼（Abigail Disney）通过Facebook收到迪士尼乐园一名“演员”的留言，寻求帮助以获得更好的薪酬。阿比盖尔去加利福尼亚州阿纳海姆拜访了他的家人，亲眼目睹了他和“地球上最幸福的地方”的那么多工人是如何离开汽车，依靠食品银行养家糊口的，而迪士尼首席执行官鲍勃·伊格尔（Bob Iger）正朝着成为亿万富翁的方向迈进。这是怎么发生的？《美国梦和其他童话》是迪斯尼公开质问其家族遗产的大胆尝试。

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

Afro-American men and women express their views on why some Black men are travelling from the US to Brazil to find sex partners.

March, 2021. Claudia, a 24-year-old girl, tries to barely survive in the pandemic and precarious Madrid. After being threaten by his landlord in case she doesn’t pay the months’ rent that she owes him, Claudia decides to start working as a rider for a food delivery app. An unexpected reunion when she is delivering an order takes her on a bittersweet journey into the past and raises some questions she had never asked herself before.

This visually striking short film from director Kate Morrison combines exquisite production design, precise cinematography and committed performances to create an unsettling and surreal scenario that explores the inherent advantage art students from wealthier backgrounds have over those from low-income households in their ability to realise their full creative potential.