En Pasante de moda, Ben Whittaker es un viudo de 70 años de edad que ha descubierto que la jubilación no es tan fabulosa como la cuentan. Al aprovechar una oportunidad para volver a la actividad, se convierte en practicante sénior en un sitio en línea de modas, fundado y manejado por Jules Ostin.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

Three retired women travel by bus on their way to discover Europe. They’ve recently lost their husbands and now it’s time to start living. They’ve heard people talk about the wonders of tourism all their lives and are dying to experience them firsthand.

Claes is a pensioner whose greatest wish is to finally make it to the nearby cinema. What if it rains? What if his sweater doesn’t match the shirt he is wearing? It's probably better to stay in the safety of his own home and switch on the television. In the total isolation of his solitary life, and out of an entirely unfounded fear of stepping outside his flat, Claes has turned his tidy home into a prison. This is a film that demonstrates what loneliness can do to a person.

We follow an elderly couple, Elma and Sven, during a normal Tuesday morning in a cold February in Sweden. The film is a stationary roadmovie about life in the old age.