Kenshin Himura è un leggendario assassino pentitosi delle sue azioni e divenuto un ronin, un guerriero errante che offre il suo aiuto a coloro che ne hanno bisogno. Giunto a Tokyo, incontra Kaoru Kamiya, istruttrice di kendo nella scuola aperta dal padre, chiamata Kamiya Kasshin-ryu. La ragazza invita Kenshin a fermarsi presso il suo dojo, ma presto il passato tornerà a tormentare il guerriero...
Il duello tra Kenshin Imura e il malefico Shishio Makoto non ha ancora trovato fine. L’esito del conflitto tra i due guerrieri è destinato a decidere le sorti dell’intero Giappone…
Kenshin Himura si scontra con il malvagio Makoto Shishio che sta tentando di rovesciare il governo Meiji. Il destino del paese è in bilico mentre Kenshin Himura impugna la spada che ha giurato di non sguainare mai più.
Gen'ya Tachibana, il boss di uno studio televisivo è intenzionato a realizzare un documentario sulla stella cinematografica del secolo passato, la famosa Chiyoko Fujiwara, ormai settantenne, e insieme al cameraman Kyōji Ida raggiunge l'abitazione di questa, situata in un luogo piuttosto sperduto. Infatti la bellissima Chiyoko, dopo una lunga carriera cinematografica, si ritirò misteriosamente nell'anonimato. Una volta giunti a casa dell'anziana donna, Genya Tachibana, che aveva lavorato in passato con la donna, si fa trasportare dal racconto della donna che mischia vita privata ad aneddoti relativi al suo lavoro, fino a confondere sempre più le sue esperienze personali con la trama di tutti i suoi film...
Quando una banda di criminali stermina un’intera famiglia lasciando in vita solo una donna - dopo averla violentata - quest’ultima cova un unico forte sentimento: la vendetta. Fa in modo di rimanere incinta e, benché non sopravviva al parto in un carcere femminile, si assicura che Yuki, la sua bambina, venga cresciuta come una perfetta assassina...
An old swordsman, his former comrade and a young braggart are hired by prostitutes to track down bandits who mutilated one of the women.
Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.
La bella e leatle Yuki è ricercata e, dopo una prima resistenza, decide, avendo compiuto la sua vendetta, di sottoporsi al giudizio della legge. Condannata a morte per impiccagione i suoi talenti sono però troppo preziosi e così Kikui, il capo della polizia segreta, le offre un incarico: infiltrarsi nella casa dell'anarchico Ransui ed eliminarlo. Yuki accetta e, nei panni di una geisha, entra nelle grazie dell'uomo, ma più lo conosce e meno è convinta di doverlo uccidere. Ransui le rivela inoltre di conoscere la sua identità e la sua missione, così Yuki dovrà scegliere da che parte stare.
Depicts the bloody siege of the fortress of Port Arthur, one of the most strongly fortified positions in the world, during the Russo-Japanese War of (1904 - 1905). In the story dominated the character Lt Takeshi Kogyo (Teruhiko Aoi), teachers, and a reserve officer who became commander of the platoon and later company. At the same time monitors the conduct of the army commander general Nogi (Tatsuya Nakadai), which was commissioned of the emperor Matsuhito (Toshirô Mifune) to the conquest of the fort.
At the beginning of the Meiji era, Sayoko, the daughter of a large banker in Tokyo, comes to Sotobo's villa for the first time in eight years, guided by her student, Yasu. In fact, Yasu is the son of Keizo Naya, the keeper of this villa. His father and older sister, Kyoko, live quietly in this place, where people rarely visit, like recluses. Sayoko, who grew up sickly and full of selfishness, treats Yasu, who has feelings for her, like a slave, blindfolds him, makes him help her change clothes, and makes him imitate Sansuke in the bathroom.
Giappone, inizio Novecento. Yukio (Masahiro Motoki) è uno stimato medico dalla vita apparentemente perfetta. L'uomo ha sposato Rin (Ryō), una donna che non ha ricordo del proprio passato. Ben presto l'uomo scopre di avere un fratello gemello, Sutekichi, abbandonato alla nascita dai suoi genitori, ora divenuto un astuto ladro e pronto a vendicarsi di anni di soprusi e povertà, gettando Yukio in un pozzo e prendendo il suo posto. Intanto la memoria di Rin comincia lentamente a tornare, e comprende di aver già conosciuto Suketichi molto tempo prima.
In the year 1868, three young men join the elite Shogitai division of the Shogunate. The Shogitai fights to the end and opposes the dismantling of the feudal military dictatorship known as the Bakufu system.
At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?
The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
This is the true story of the last officially recorded case of adauchi, when a young man avenged the death of his father by brutally killing the murderers in broad daylight. Samurai revenge killings, or adauchi, was considered a rightful and noble act of honor and virtue.But all that changed abruptly on February 7, 1873, when adauchi became prohibited as part of the Meiji Restoration’s goal to Westernize Japan.
A young woman, who must support her father as a middle-aged man's mistress, finds herself falling in love with a student closer to her age.
34th year of Meiji (1901). Japanese gangster Shuntaro Hibiki is forced to work for the police to find out who robbed a truck full of gold.
In 1870's Tokyo, Den steals to support the daughter of her first marriage and her consumptive second husband. She falls in love with a young policeman, but is coerced into becoming the mistress of and procurer for a vice boss.
At the strong insistence of his father, Ushimatsu Segawa conceals his origins from a “buraku” area of low-class “untouchables,” leaving his hometown to serve as an elementary school teacher where he excels and is loved by his students. But he constantly struggles with the secret of his low-birth status and is disturbed by all of the discrimination levelled upon his class. It prevents him from pursuing a romance with Shiho, whom he meets at the temple where he resides, but who descends from a samurai family.
It was a tumultuous time. In the early Meiji period, there was the first photographer in Japan who lived a heroic life. What fascinated him with photography was a photograph of a naked woman.