Anatolij fiatal katonaként nehéz választásra kényszerül, amikor a nácik fogságába esik: saját élete megmentése érdekében meg kell ölnie parancsnokát. E szörnyű tett után ortodox szerzetesek mentik meg, és adnak neki otthont, Anatolijból pedig szerzetes lesz. A férfi még harminc évvel a szörnyű események után sem képes szabadulni a bűntudattól, pedig közben - különleges képességének hála, híres gyógyító, sokak számára valóságos szent lesz. Egy nap aztán váratlan vendég érkezik a szigetre, ahol Anatolij él.
Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.
Megtalálni igazi önmagunkat olyan utazás, mely ismeretlen, ködös vidékre vezet - távol mindentől, amiben valaha hittünk. A Viharsarok című film a kamaszkor drámája: mozgalmas, érzelemmel telt története önmagukat kereső kamaszok felnőtté éréséről szól. Szabolcs Bernarddal együtt egy német futballcsapatban játszik. Szobatársak, legjobb barátok, elválaszthatatlanok. Egy vesztes mérkőzés és csúnya vita után Szabolcs átgondolja életét és hazamegy Magyarországra az egyszerűbb élet reményében. Azonban ez a magány nem tart sokáig. Hazatérése után hamarosan találkozik Áronnal és kölcsönös vonzódás alakul ki a fiúk között, amikor Szabolcsot váratlanul felhívja Bernard, hogy Magyarországra érkezett.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
A story of spiritual resistance to physical political persecution. Set after the Russian revolution, when communist zealots hunt down everyone who will not forswear their Orthodox Catholic ways.
Movie inspired by life of saintly Elder Paisios (1924 1994) and other Orthodox monks. Severeal stories of young and old monk life. Sometimes funny, but all about true christian love.
The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".
The "Good News" is a film dedicated to one of the main holidays of Orthodox Christians: the Annunciation of the Most Holy Theotokos. The main idea of this holiday is the beginning of the liberation of the human race from sins and eternal death, the joyful news about the upcoming birth of Jesus Christ. The film shows how people living in the remote Russian village are preparing for the Annunciation, marking the turning point of winter and the beginning of field work. Everyday details of the parish community life help to feel Russian Orthodox customs that have been formed for centuries.
On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
This is a documentary about a renowned precentor and a church composer Irina Denissova who suddenly becomes a nun in the apex of her career. At the same time, this is a film about God's love towards man. It seemed that a tragedy had occurred: a family of two prominent musicians was ruined, and Irina was abandoned by her husband while struggling with a serious disease of her son.
Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.
The last true rebellion is death to the world. To be crucified to the world and the world to us.