A movie adaptation of Homer's second epic, that talks about Ulysses' efforts to return to his home after the end of ten years of war.
Taurus City, The United States of Europe, 2023. Uly, a disillusioned soldier riddled with amnesia, returns home from a war in the Middle East, knowing only that he must desperately comb the city to find his beloved wife, Penelope. Fate fills this endless night with a series of chance meetings. Whether it be the wealthy Alcyde, the beastly cyclops Popov, Aeo the Gyspy, or Cici the Sorceress, good or evil that they be, each encounter fills in a missing piece of Uly's memory, so that he can finally face his past.
Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape
The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?
An irreverent, modern, non-traditional re-telling of Ulysses, told rapidly by a succession of over 75 international actors. The film maintains the rhythm of the novel's stream of consciousness with intimate, minutely nuanced provocative performances.