Im Winter 1941 hat die Wehrmacht große Teile der Roten Armee bei Wjasma eingekesselt. Die verschneiten Wälder sind voller Partisanen und Deserteure. Heftige Gegenwehr bekommen die deutschen Soldaten von einem Scharfschützen (Aleksey Shevchenkov), der plötzlich auftaucht, mehrere seiner Gegner erschießt und schnell wieder verschwindet. Die Deutschen nennen ihn „das rote Phantom“. SS-Hauptsturmführer Braun (Wolfgang Cerny) und sein Tötungskommando haben den Auftrag, den Scharfschützen auszuschalten. Der mysteriöse Rächer aber ist den Deutschen stets einen Schritt voraus. In einer Holzhaussiedlung steht der Showdown bevor.
Der verbitterte Konzertpianist Denard versucht als Geheimagent die Lieferung kriegswichtiger Kohle an die spanischen Faschisten zu verhindern. Als er dabei in Lebensgefahr gerät, kann ihn nur noch die eigenwillige Rose Cullen retten...
FBI agent Ed Renard investigates the pre-War espionage activities of the German-American Bund.
A group of disparate travelers are thrown together in a posh Alpine hotel when the borders are closed at the start of WWII.
As the Salo Republic crumbles around him, Mussolini, along with his mistress and several of his ministers flee with retreating Nazi soldiers, but are caught at the town of Dongo by red partisans. All are brutally executed without trial.
Through the testimonies of some Italian women, the documentary evokes the day of 2 June 1946, when they were called upon to cast their vote for the first time. The battles conducted by Italian women in the years leading up to 1946 to demand recognition of the right to vote. The approval of the right to vote for women by the Italian Parliament on 1 February 1945, at the proposal of the Italian Communist Party Secretary Palmiro Togliatti and statesman and founder of the Christian Democratic Party De Gasperi. The role of the first 21 women elected to the Constituent Assembly on 2 June 1946, and their contribution to the writing of the Italian Constitution.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
