Młoda kobieta pragnie bronić swojego rdzennego dziedzictwa w świecie, w którym panoszy się ksenofobia, zmiana klimatu zagraża hodowli reniferów, a młodzi ludzie w obliczu powszechnie panującej atmosfery rozpaczy wybierają samobójstwo.

Kristin, zwyczajna, amerykańska gospodyni domowa z dnia na dzień staje się… szefową mafii. Jej wiedza na temat zorganizowanej przestępczości jest znikoma, na szczęście ma obok siebie Biancę, która nauczy ją być prawdziwą matką chrzestną.

A woman inherits a house in her ancestral village, but she's unaware that members of the community have been trying to locate and kill her to remove the curse that has plagued them for years.

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

Ismael, widower of his beloved wife Teresa, walks the streets of the city in search of cardboard, in his extensive travels he has confrontations with Juan - a mental patient who thinks he is a dog and with Luigi - the most famous baker in the city. , who always scolds her daughter, because she did not inherit his gift in baking. But the destiny of these people is about to change, thanks to a magical event that Ismael will unleash.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

As they try to come to terms with the loss they have experienced, will Dewi and Sena be able to face the mystery of the legacy passed down from their extended family?

A young Japanese-American girl struggles with discovering her identity, heritage, and the loss of her connection to her past in the context of the Japanese-American Internment during World War II.

Anne Merz wants to start an event agency with Jonas, the new man at her side. Unfortunately, she doesn't have the money, so her premature inheritance is to be decided at a notary appointment with her father Ludwig, who suffers from dementia. To the horror of Anne's unsuspecting mother Maria, Ludwig drops a bombshell at the appointment: There is an illegitimate daughter who is also entitled to the inheritance. Of course Anne is not going to take this lying down. She steps into the ring - for her money and for her father's love. While ex-husband Erik and his parents Renate and Günter get heavily involved in the family quarrel, son Leon is in trouble with his wife Soraya and her ex Rico.

From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

Christophe Perrin, a renowned oyster farmer in Arcachon Bay, is the victim of a murder attempt. His three daughters rush to his bedside, where he lies wounded and unable to manage L'Héritage, the family oyster farm.

A teenager, disinterested in her Louisiana Creole heritage, finds herself having to entertain a visitor who only speaks what sounds like French. She’ll discover how magical it can be to connect with one's heritage.

Maximin, priest in a little village in the South-West of France, inherits from his brother a brothel in Thailand, although he's always been told it was a very strict catholic school. The journey to Asia is full of surprises (a plane hi-jack, pirates...) and once in Thailand, Maximin is taken into 'political' turmoils.

After being confronted by two goons and a wise tweaker, 22-year-old Simon Vertugo forgets himself and his heritage.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Kerstin floats stoically across the Mecklenburg Lake District in her red GDR kayak. Aimlessly, between tourism and dreariness, she glides over the water for days, striving to remain alone. The many rivers and lakes are familiar to her. But where does Kerstin come from? What is she fleeing from? Who is pursuing her? The evenness of this journey breaks when Alima appears, finally asking the paddling loner the right questions.