Przebojowa Pixie podejmuje decyzję, żeby wreszcie opuścić znienawidzone irlandzkie miasteczko i uciec od swojej przestępczej rodziny – po drodze dokonując zemsty. Plan jest taki: namówić kilku gangsterów, żeby weszli w intratną transakcję narkotykową, a potem zwiać z łupem. Wszystko idzie w łeb, kiedy w wyniku kradzieży odradza się konflikt między jej ojcem i nieobliczalnym szefem mafii, byłym księdzem McGrathem. Gdy dwójka naiwnych przyjaciół przypadkowo ratuje życie Pixie, ta – wykorzystując swój urok – przekonuje ich, aby przyłączyli się do niej. Z ciałem w bagażniku i skradzionymi narkotykami na tylnym siedzeniu, Pixie wraz z nowymi kumplami ucieka przed gniewem McGratha i jego uzbrojonym gangiem. Czy uda jej się prysnąć bez pomocy rodziny?

Inspired by true events. "Boswellia sacra" is a short feature film about nature which draws a parallel between the environment and the protection of human rights; about the law of nature that is constantly being violated by man; about Vukasin Drakulic, a thirty-year-old young man who comes to realize this relationship. Can a person escape his own nature and the one that surrounds him.

A violinist, Lefteris, is constantly running around on account of his work - from the Symphonic Orchestra to the Church. One Sunday, an incident caused by the competition between two churches sends him to prison, where he tells the story of his life to a fellow-prisoner. He has had an eventful life, rich in both marriage and divorce.

Follows two priests who must put aside their differences to save a possessed young woman through a difficult and dangerous series of exorcisms.

In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of 20 first graders and their teachers, local clergymen Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing.

In this eye-popping, spiritually rollicking film, queer femme dominatrix Trinity huffs a magic aerosol can and develops the ability to speak to the dead. Trinity’s submissive partner, Baby, is by her side as she journeys in and out of reality on this wild ride of John Waters–style queer spirituality and alternative sexuality. Absurdity, kink, and camp abound in this film filled with the cream of Chicago’s queer artist community, including the infamous Imp Queen.

When a Catholic and a Jew wed they find themselves disowned by both of their families.