影片改编自畅销全球的现象级小说。莉莉·布鲁姆（布蕾克·莱弗利 饰）邂逅了帅气多金的神经外科医生莱尔·金凯德（贾斯汀·贝尔杜尼 饰），他们一见钟情，彼此沉迷，灵魂与身体的无比契合让他们迅速走进了婚姻。然而，深爱莱尔的莉莉，为何选择离开？到底是什么打破了他们的幸福？
When tech billionaire Slater King meets cocktail waitress Frida at his fundraising gala, he invites her to join him and his friends on a dream vacation on his private island. But despite the epic setting, beautiful people, ever-flowing champagne, and late-night dance parties, Frida can sense that there’s something sinister hiding beneath the island’s lush façade.
拜恩，内敛害羞，相信自己是遭外星人缚架回来； 尼尔，冷漠酷男子，凭着点点美色，三两下手势便跟人搭上，尽揽男色。 他们一个人在途人，各自上路，拜恩渐渐与缚架他的外星人灵性互通，看见一头被肢解的母牛，仿佛领略了甚么。另一边厢，尼尔则摇身一变，变成纽约大都会炙手可热的男妓，展开他那惊险刺激的桃色生涯。
简妮·伊萨克森和丈夫都是成功的精神病学家。但是，简妮发现自己慢慢陷入了精神崩溃。她被那些来自过去的情感与画面困扰，最终导致她无法继续扮演自己作为妻子，医生，乃至正常人的角色。
A woman returns to her childhood home following her father's death, and begins to remember the horrors of her past.
最近，在萨特的遗稿中发现了一部电影剧本手稿，这便是一九五八年由好莱坞的约翰·哈斯顿导演，蒙哥马利·克利夫特领衔主演，萨特编剧的二流电影《弗洛伊德》。值得庆幸的是，这部手稿没有因为电影的不成功而被萨特毁掉。现在人们可以通过这部电影剧本进一步了解萨特对弗洛伊德的具体看法如何，特别是因为这部电影在上映时应萨特的要求没有打出他的编剧的名字，很多人还不知道是出自他老先生的手笔。
In the early part of this century, Maddelena a teenage Italian girl, is attacked whilst walking in the woods. The attack leaves her mentally scarred and our story flashes forward to the 1940s where Maddelena is still troubled. She disappears one day and her daughter vows to find her.
When her husband leaves for a night shift, a woman battles physical manifestations of her repressed fears and desires.
After a tragedy, a lost boy navigates a mystical forest where he comes face to face with is own fears and trauma.
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
A young man looks back at his past as he gets ready to leave his childhood apartment.
Seven years after the mysterious death of her mother, an isolated botanist meets an enigmatic, teenage runaway in a creek. Forming an unexpected bond, the two embark on a harrowing journey to confront their respective pasts, all while slowly realizing that they may not have to face their uncertain futures alone.
A triad of vicious vixens scam (and occasionally murder) hapless, lonely men from the internet but run into a nightmarish labyrinth of deception and horror when one attempts to use her wiles on a far more cunning adversary.
A person reflects on their personal trauma and the negative way they cope, and their plan to move forward in life while taking a walk in the middle of the night.
Iren, who went to visit her grandmother with her mother (Lal), finds her grandmother dead at home. Lal is forced to stay at the deceased mother's house with her child (Iren) for a while to host guests and clean the house. Due to the stress of the situation, Iren is unable to speak (selective mutism/temporary mutism). Lal becomes overly protective of her daughter due to her mutism. Her greatest fear is leaving more wounds with her death than she did while alive. Already afraid of leaving permanent marks, Lal cannot remove the stain left on the wooden floor where her mother died and becomes increasingly tense. In an attempt to conceal it, she covers the stain with a cabinet and tries to entertain guests this way. Meanwhile, Iren begins to hear noises coming from under the unrevealed stain. Despite Lal's efforts to protect her daughter, Iren starts to become a part of the family amid these sounds.
At the age of 16, Alice was a victim of abuse. Fifty years later, this repressed experience unexpectedly makes its way back into her conscience. How is it possible to repress an incident for one’s entire life? How did it happen that she made films and wrote books always about children and violence? Alice walks with her accordion through the desert, searching for answers, looking at a phenomenon that affects many women in a similar or related way.