A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.
Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.
When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.
Sleazy director "auditioning" actresses for a movie and trying to get them to commit to more to get the part.
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Wally Sparks is a tabloid TV show reporter who's trying to boost ratings on his show. He goes to the governor's mansion to uncover a sex scandal.
Debra Hill's documentary tells the story of her multifaceted life and of inspiring filmmakers around the world, and her legacy as a creative producer, mentor, film pioneer and activist is an enduring one.
Industry professionals speak on how theatre changed their lives until film was deemed obsolete. 10 years later, their friendships, the movie business and the entire world would be forever altered yet again but now by a deadly pandemic.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Classic film star and queer icon Montgomery Clift’s legacy has long been a story of tragedy and self-destruction. But when his nephew dives into the family archives, a much more complicated picture emerges.
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
A disgruntled film production assistant seeks advice from a young, eccentric producer with sadistic tendencies.
Fai, a talented actor who has won the Best New Artist of the Hong Kong Film Awards and always plays leading roles in television, is an arrogant guy who does not cherish the opportunities given to him. As he keeps on criticizing his co-workers, his career and popularity gradually deteriorates. He is not offered leading roles anymore and has to take the parts of villains and rapists. Finally, he has even lost his job at the TV station. Fai becomes extremely depressed, but a twist of fate makes him become an agent for extras. As Fai gives pointers to a young girl named Fei, who truly loves acting, he regains his own enthusiasm towards acting and life.
A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.
Director Simon Sheridan's exhaustive examination of British sexploitation movies, made during the 1960s and 1970s, when homegrown cinema was struggling to survive. The films' stars and makers share their memories of an extraordinary era.
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.