W powojennej Japonii były pilot myśliwca po traumatycznych przeżyciach dołącza do walki ze zmutowanym potworem, który atakuje wybrzeże kraju.
Po zakończeniu II wojny światowej, Herbie Brown (Lou Costello) i Slicker Smith (Bud Abbott) wracają do domu na pokładzie statku wojskowego. Gdy zbliżają się do Nowego Jorku wychodzi na jaw, że chłopcy starają się przemycić ze sobą... 6 letnią francuską sierotę, Evey (Beverly Simmons), z którą zaprzyjaźnili się służąc we Francji. Dostaje się ona pod opiekę porucznik Sylvii Hunter (Joan Fulton), która musi dostarczyć ją do miejscowego urzędu imigracyjnego.
Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.
A ranch owner turns his place into a home for boys who have lost their fathers in World War II. His evil female lawyer covets the ranch and uses a gang of local toughs, a pack of killer dogs, and a phoney rancher's beneficiary to get it. U.S. Marshal Rogers opens an investigation when the rancher is killed.
From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.
October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.
A missionary tries to outwit the U.S. government and smuggle Chinese orphans into the country.
Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.
During an ongoing devastating war, a disabled young orphan tries to put an end to his pain. All of a sudden, paranormal activity shakes the world he lives in.