Los Angeles, 2023. Pandemia Covid towarzyszy ludzkości już czwarty rok. Mimo wysiłków lekarzy nie udało się znaleźć skutecznego lekarstwa mogącego powstrzymać kolejne mutacje śmiertelnego wirusa. Służby sanitarne praktycznie rządzą krajem, a podejrzenie o nosicielstwo wirusa jest jak wyrok. Tysiące ludzi uwięziono w specjalnych strefach kwarantanny Q-Zones, z których już się nie wraca. Wolni obywatele żyją w strachu za murami swoich domów i mieszkań. Tylko nieliczni odporni na patogen mogą swobodnie poruszać się po opustoszałej metropolii. Jednym z nich jest pracujący jako kurier Nico, który marzy by wreszcie spotkać się twarzą w twarz z ukochaną Sarą. Kiedy okaże się, że mimo życia w zamknięciu dziewczyna mogła zostać zarażona, Nico będzie musiał zrobić wszystko, by uratować ją przed uwięzieniem.
Kiedy decydują się na separację, Linda i Paxton odkrywają, że życie ma inne plany, kiedy utknęli w domu w obowiązkowej izolacji. Wspólne zamieszkanie okazuje się wyzwaniem, ale napędzane poezją i obfitymi ilościami wina, zbliży ich do siebie w najbardziej zaskakujący sposób.
The moment a teenage girl begins to spread her wings coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a revelator, leads her to question how much free will she actually has.
An anthology of nine horror shorts filmed under the social distancing and self-isolation requirements of the COVID-19 outbreak.
An anthology that brings five unique creators and filmmakers to tell stories about love, happiness, friendship, new beginnings, second chances and a glimmer of hope - set and filmed in the times of the COVID-19 lockdown.
The Worth Family has been divided for years but when the matriarch, Grandma Mabel dies suddenly, the family has to come together. The story of Family Squares takes the Worth Family on a journey discovering that not only did Grandma Mabel keep some secrets, so did everyone else. They find their way back to each other and realize that while you can’t choose your family, you can choose to be friends with them.
A story of siblings building a tree house together over the course of a year. We experience the beauty and brutality of the seasons, as we follow them through their struggles and moments of joy.
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
James Bond joins a call to talk with M but is surprised to stumble across Nan (Catherine Tate), who is cleaning the office.
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
The screenwriter is living the pandemic with concern for his scripts and the crisis in Guatemala
Rivalling siblings must enlist the help of a remote Hacker to wage financial war against each others' businesses.
A short film about how a drug addict copes with the COVID-19 lockdown.
A collection of personal anecdotes from those who have navigated through a tumultuous year in America.
The 6 minutes film unfurls the story of self discovery in the strangest time through a MakeUp Artist. His only guest happens to be economic crisis. With the moist eyes and the time he is left alone with, his sight is beclouded. So, he turns to himself to see a face he has never seen beneath his brushes, a face he has never bothered to acknowledge.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Stage banter takes on a different — deeper — meaning as the comedian performs online shows to homebound viewers worldwide from his Mumbai residence.
Broken up with on the eve of a global lockdown, a man is pushed to the brink of madness by his isolation... only to discover he may not be as alone as he initially thought.
Emerging artists seek to stay afloat in their industry whilst the Covid pandemic induces career threatening lockdowns.