A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.

Iranian female judokas Leila and her coach Maryam, travel to the Judo World Championship, intent on bringing home Iran’s first gold medal. Midway through the Judo World Championships, they receive an ultimatum from the Islamic Republic ordering Leila to fake an injury and lose, or she will be branded a traitor of the state. With her own and her family’s freedom at stake, Leila is faced with an impossible choice: comply with the Iranian regime as her coach Maryam implores her to do, or fight on, for the gold.

An American is kidnapped while attending a conference in Cairo and ends up in prison in Iran on spying charges. His wife goes to Iran, determined to get him out.

In 2019, the multi-awarded filmmaker Nahid Persson Sarvestani (My Stolen Revolution, Prostitution Behind the Veil) filmed the Iranian journalist based in France Roholla Zam, who exposed the Iranian regime money laundering. Months later, Rohollah was lured by moles to Iraq and kidnapped to Iran. After 14 months in prison, he was executed.

Iran, 1984. Homeless brothers struggle to survive in a country at war.

Mina Ahadi is an Iranian human rights activist living in Cologne. She talks about the fate of other freedom fighters in Iraq and what life is like under the Iranian regime.