To, čo mimozemskí tvorovia Kaiju napáchali na Zemi v prvej časti akčného sci-fi Pacific Rím, bola iba predohra k tomu, čo si pre ľudstvo pripravili teraz. John Boyega a Scott Eastwood vedú tím, ktorý je poslednou nádejou pre prežitie planéty. Členovia tohoto tímu sú piloti ovládajúci Jaegerov, obrích robotov, ktorí svojou veľkosťou a vybavením dokážu konkurovať rovnako vybaveným Kaiju. Jake Pentecost k nim dlho patril, ale radšej prežíva v ilegalite a na živobytie si zarába rôznymi nelegálnymi aktivitami. Raz narazí na pätnásťročnú Amaru, ktorá dokázala ukradnúť a rozchodiť pôvodne na likvidáciu určeného Jaegera. No majú v pätách Zákon. Aby unikli trestu, začlenia sa do programu výcviku nových pilotov Jaegerov. Jake po boku svojho bývalého parťáka Lamberta ako inštruktor a Amara ako nádejná pilotka. Všetci dúfajú, že si trenérske schopnosti nikdy nebudú musieť vyskúšať v reálnom boji. Lenže tá prichádza. Skôr, než si všetci priali, a odkiaľ to nikto nečakal.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
In Japan's Aokigahara Forest, a troubled teacher meets a mysterious lost stranger who takes him on a life-changing journey of love and redemption.
Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.
Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.
Aki isn’t a brave little boy, but he’s dedicated nonetheless to safeguarding his sickly, mute friend Fuyu. They and their little gang live deep underground, in the concrete warrens to which survivors have fled following the eruption of Mt. Fuji. The community is in decline, however, as illness and despair take their toll. Fuyu dreams of the outside world, which he is too frail to ever reach. But what colour is the sky out there?
A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .
The epic battles between the Heike and Genji (Taira and Minamoto clans) take centerstage as the defeated leader of the Genji, Minamoto Yoritomo resolves to end his clan's exile and avenge the brutal loss in December, 1159 as they had fought under the white banner of the Emperor, while the Taira fought under their red flags in a battle to the death. The fight only took one day, with the Genji suffering utter defeat which led to their exile. His father, Yoshitomo, took responsibility for the loss and rather than live in humiliation, he decides to commit suicide with all his sons following him. However, the bravest warrior among them, Yoritomo stands tall and declares that he will not kill himself, but rather will fight to restore the clan.
A seven minute rhythmic meditation on nature, spirituality, and perspective.
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.