Para provar a inocência de seu antepassado e encontrar a Cidade Perdida de Ouro, Ben Gates e sua equipe devem tecer seu caminho em direção a um livro misterioso e altamente guardado contendo séculos de segredos. Mas só há uma maneira de encontrá-lo: Ben deve sequestrar o presidente.
Uma imigrante indiana enfrenta as autoridades da Noruega em uma difícil luta pela custódia dos filhos. Baseado em uma história real.
Benjamin Franklin Gates, na busca desenfreada por um lendário tesouro, tem que roubar um dos documentos mais sagrados e protegidos dos EUA, a Declaração de Independência, ou deixar que uma pista fundamental do mistério caia em mãos perigosas.
Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.
Nos primeiros anos do século XIX, em meio ao radicalismo da Inquisição e à iminente invasão da Espanha pelas tropas de Napoleão Bonaparte (Craig Stevenson), o gênio artístico do pintor espanhol Francisco Goya (Stellan Skarsgård) é reconhecido na corte do Rei Carlos IV (Randy Quaid). Inés (Natalie Portman), a jovem modelo e musa do pintor, é presa sob a falsa acusação de heresia. Nem as intervenções do influente Frei Lorenzo (Javier Bardem), também retratado por Goya, conseguem evitar que ela seja brutalmente torturada nos porões da Igreja. Estes personagens e os horrores da guerra, com os seus fantasmas, alimentam a pintura de Goya, testemunha atormentada de uma época turbulenta.
In this revisionist documentary, actor Eric Farr re-creates the character of Rock Hudson in order to take a look back at his films. It compares the actor's screen (and public) image with his real life and shows certain scenes, lines and situations in his films to insinuate that Hudson may have been gay.
The film follows the life of social reformer and writer Mahatma Jyotiba Phule.
Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.
A tribute to actresses, approaching their presence in and out the screen, humanizing the icons. From the Ukrainian Anna Sten to the French Anna Karina, we can see some close-up faces that marked the history of the cinema, and whose demand is more relevant than ever.
Following the victory at Sinhagad in 1670, the Moghuls began to notice the threat from the Marathas. The unique guerrilla tactics developed by Shivaji helped his warriors forge ahead with power.
A fictional biography of Hollywood actors Martin Kosleck and Hans Heinrich von Twardowski, both of whom fled Hitler-era Germany to live a long-lasting relationship.
A fictionalized biography on John Dall who was in two great movies - Alfred Hitchcock’s Rope (1948) and Joseph H. Lewis’ Gun Crazy (1950).
Fictionalized account of how Clement C. Moore came to write "A Visit from St. Nicholas." His young daughter, stricken with pneumonia, asks for a Santa Claus story for Christmas. No such story had been written, so Moore writes his famous poem, set to Ken Darby's music and sung by The Norman Luboff Choir.
How does the most famous man in the world go missing overnight and is never heard from again for three years? That's what our host Leo is trying to find out, delving into the depths of the Brett Pick timeline, documenting his process of interviewing, researching, and finding answers to his questions. This is the Brett Pick story.
Joan Crawford's close-up in Humoresque. Michelangelo's David and Boticelli's "Birth of Venus". Stendhal was overwhelmed by the cultural overstimulation in Florence, which Graziella Magherini described scientifically in 1979 as Stendhal syndrome. Mark Rappaport describes his fascination for the Austrian actor Turhan Bey, who made a career in exotic roles in Hollywood in the 1940s. A very personal essay about the effect of close-ups, the canvas idols of the dream factory and the role of their admirers and fans.