Rašytojas Tomas (Paul Bettany) pirmasis pasitinka Greisę ir ima įkalbinėti miestiečius paslėpti ją. Atsidėkodama moteris sudaro gan keistą sandėrį: dirbti kiekvienam miestelėnui. Ji privalo kasdien padaryti gerą darbą, bet kai už Greisės galvą pasiūloma didelė pinigų suma, žmonės nutaria dar kartą peržiūrėti sutartį. Dogviliečiai sutinka priglausti bėglę, bet dabar ji privalės atidirbti tą pinigų sumą, kurią miestelis prarado. Nuo šiol Greisė turi dirbti nuo ryto iki vakaro, kęsti pažeminimus, įžeidinėjimus, teikti miestelėnams lytines paslaugas. Palaipsniui ji tampa vergė ir kalinė. Viena, ko nežino miestelio gyventojai, yra tai, jog Greisė atlieka misiją ir visi jie žaidžia su ugnimi.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
Young farmer Mikajlo while on youth labour action falls in love with a student Nada and infatuated with her, he leaves the peasant brigade and Malena, a girl who as if she were overabundant, followed him to work the labour action. Mikajlo's courtship of Nada provokes laughter and ridicule, so ambitious 'Don Juan' returns to his brigade and the girl.
A documentary film about the Brazilian town of Toritama, the self-proclaimed capital of jeans. The workers of the city’s self-managed small businesses only get one real break from their self-exploiting lives in the textile business: the annual Carnival.
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
"The Last One Put Out the Light" - The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because over German craftsmen are in demand. The three with 17 other desperate people are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.
The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.
Martha Bieder is the last rubble-woman in Berlin Rummelsburg. Every day, rain or shine, she stands at the conveyor belt - as she has for decades - sorting through rubble. After a retirement party thrown for her by her male colleagues, she tells her story of being a rubble-woman in post-war Germany.