A mysterious woman named Grace hides in a small mountain town from criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
Филм описује живот младих на радним акцијама и био је веома популаран у СФРЈ. Да би био што ближе студенткињи Нади, Микаило напушта сељачку бригаду и Малену, девојку која је за њим као прекобројна, кренула на радну акцију. Не успевши у свом удварању, које изазива општи смех, Микаило се враћа својој бригади и Малени која је у међувремену завршила кројачки курс. Када Микаило заврши обуку за трактористу вратиће се у село, где га чека Малена.
A documentary film about the Brazilian town of Toritama, the self-proclaimed capital of jeans. The workers of the city’s self-managed small businesses only get one real break from their self-exploiting lives in the textile business: the annual Carnival.
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
"The Last One Put Out the Light" - The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because over German craftsmen are in demand. The three with 17 other desperate people are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.
The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.
Martha Bieder is the last rubble-woman in Berlin Rummelsburg. Every day, rain or shine, she stands at the conveyor belt - as she has for decades - sorting through rubble. After a retirement party thrown for her by her male colleagues, she tells her story of being a rubble-woman in post-war Germany.