Baletdejotāja iegūst slaveno princeses Odetas lomu baleta izrādē „Gulbja ezers”. Bargā režisora kritika, tieksme uz perfekcionismu un skatuves aizkulises liek pamazām viņai zaudēt veselo saprātu. Viņa arvien vairāk sāk līdzināties Odīlijai-melnajam gulbim.
A theater actor with crippling body image insecurities must face his greatest fears when he is asked to perform nude on stage in his dream role.
On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
For the first time in nearly 95 years, Oswald stars in an all-new hand-drawn short from Walt Disney Animation Studios in celebration of Disney 100 Years of Wonder!
Sešdesmitgadnieka Viktora dzīve apgriežas ar kājām gaisā, kad veiksmīgais uzņēmējs Antuāns piedāvā viņam jaunu, unikālu izklaidi. Apvienojot teātra mākslu un vēstures rekonstrukciju, viņa uzņēmums sniedz klientiem iespēju atgriezties izvēlētā pagātnes laikposmā. Viktors nolemj vēlreiz izdzīvot savas dzīves neaizmirstamāko nedēļu – laiku pirms 40 gadiem, kad viņš sastapa savu mūža mīlestību. Šī tikšanās izmaina Viktora tagadni, tostarp attiecības ar sievu Mariannu un dēlu Maksimu.
As beloved Broadway star Lillian Hall pours her heart, soul, and time into preparing for her next big role, she finds herself blindsided by confusion and forgetfulness. Battling against all odds to make it to opening night, while holding on to her fading memories and identity, she must navigate a tumultuous emotional journey – balancing her desire for the spotlight and the stark demands of the real world.
Henrique can't get over his breakup from Gabriela and, even a year later, he's so devastated that he can't get excited about anything or anyone else. To put an end to his suffering, he decides to take his own life, but as he doesn't have the courage, he hires a company of hitmen who have just one rule: Once signed and paid for, there is no turning back. However, after signing the contract, Henrique and Gabriela cross paths by chance and she discovers that she wants to get back together. Desperate to find out who will be his executioner, Henrique becomes involved in a path full of tense and miraculous situations in order to save himself and finally be with the woman he loves.
"Minamata is the name of a fishing village in Japan," said the writer-director ("Peep Show," "Eva Peron," "Rusty Sat on a Hill One Dawn and Watched the Moon Go Down"), who wrote the piece with Mira-Lani Oglesby. "Chisso, a company that makes parts for plastic, dumped mercury waste into the water supply and the fishermen got sick. A high percentage of the villages depended on fish and fishing so their livelihoods dried up too. "The story of Minamata is just the departure point for the play," the writer said. "It's the ghost behind the play, the shadow over it. The piece is a meditation on beliefs, ways of thinking, how operatives in the system create a way of thinking that makes it possible to destroy life in order to improve it. There's a thesis that in order to progress you have to allow for destruction. No. You cannot buy into that way of thinking, because it's erroneous and hurtful."
YEARS OF PILGRIMAGE: Franz Liszt was a virtuoso pianist that took early nineteenth-century Europe by storm. He conquered the Parisian salons with passionate performances marked by excellent technique and handsome features that became the downfall of many women. But what was he truly after? The musical narrates the story of Liszt's early years, and his pilgrimage across Europe in an attempt to find a place where his soul could belong, focusing on the romance with the Countess Marie d'Agoult, and his greatest friend and rival, Chopin. FASHIONABLE EMPIRE: A revue that transforms the stage into the "Empire" where the pioneering fashionistas of our time gather. The stylish array of scenes will enchant the audience, at times with the cool atmosphere, and at times with the hot beats. While focusing on the sophisticated and metropolitan appeal of top star Yuzuka Rei this revue also shows off the unique, scintillating members of Flower Troupe through many groovy scenes.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
On the night of their wedding anniversary, a bohemian theatre actress and a beatnik inspired writer confront the strife of their relationship, dreams, and the city they once loved.
During the break of her theater play, Luna gets confronted with the consequences of her own ambitions
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
The assassination of the would be ruler of Rome at the hands of Brutus and his fellow Senators has tragic consequences for the idealist and the republic.
Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.
Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.