紐約一個芭蕾舞團正要演出經典舞蹈劇“天鵝湖”，眾多傑出舞者激烈角逐中，總監湯瑪斯黎洛(文森卡索)決定讓妮娜（娜塔莉波曼）取代首席女舞者貝絲(薇諾納瑞德)的位置。而妮娜隨後發現自己還有一個強勁的競爭對手莉莉(蜜拉庫妮絲)。因為《天鵝湖》要求女舞者不但能飾演天真純潔的白天鵝，也要能飾演充滿妖嬈性感的黑天鵝。前者適合妮娜，而後者適合莉莉。總監希望生性拘謹的妮娜，能多揣摩黑天鵝熱情奔放的內涵，妮娜幾乎以全生命在探索自己的黑天鵝潛力。 妮娜始終無法達成總監的要求，她壓力越來越大，過去她是母親心中柔順乖女兒，但她愈來愈無法忍受母親對她的控制，也無法分辨現實和夢境中的不同，莉莉適時的友情和關懷讓她偶爾喘口氣，也讓她對莉莉產生特殊感情。但事情沒那麼簡單，妮娜發覺莉莉取代的威脅即將成真了，她做了一個決定....
A theater actor with crippling body image insecurities must face his greatest fears when he is asked to perform nude on stage in his dream role.
本片故事設定在1990年，改編自《吉屋出租》創作者的自傳性劇作。夢想為劇場譜曲的Jon在紐約當餐廳服務生，希望自己正在努力的音樂劇作品能夠石破天驚，讓他一舉成名，但女友Susan卻逐漸失去耐性，不想再為了Jon的夢想犧牲自己的人生。 另一方面，好友兼室友Michael決定放棄以創意為生，找到在麥迪遜大道的高薪廣告業工作後，準備搬離和Jon分租的住處；眼見30歲生日在即，Jon感到無比焦慮，不知夢想還值不值得追下去。
東尼獎得主班普拉特和莫莉戈登在喜劇片《舞台人蔘啊》中飾演一對摯友，兩人同在紐約上州擔任營隊戲劇導師。外行科技男接管戲劇營後，營隊搖搖欲墜。兩人必須連同製作經理，號召教職員與學員上演一齣好戲，拯救夏令營。
波蘭華沙有一個劇團，其中有一名演員Bronski極其擅長模仿德國納粹領袖希特勒。Maria Tura和Joseph Tura是劇團裡的一對夫妻，劇團最近正在上演《哈姆雷特》。演出間隙，Maria收到了一束鮮花，來自一個年輕的飛行員Stanislav Sobinski，趁著Joseph在舞台上念著名台詞「to be or not to be」的時候，她安排Sobinski進了後台，兩人情愫暗生。然而不久後，納粹侵略波蘭，Sobinski只能前往作戰。Sobinski所在隊伍的領導是Siletsky教授，Sobinski想讓Siletsky幫忙帶封信給Maria，然而Siletsky卻連著名女演員Maria都不認識，於是Sobinski開始對Siletsky產生了懷疑。Sobinski為了追蹤Siletsky又回到華沙。而另一方面，Maria卻被兩個納粹士兵帶去見Siletsky，Siletsky對Maria也是心生愛慕，更希望Maria成為納粹在波蘭的間諜。Maria藉故逃回家，卻在家中意外的碰到了Sobinski和她的丈夫Josef，這段三角關係該如何收場，他們又要如何聯手對抗納粹？
奧斯華在近95年後回到了迪士尼動畫公司的一個全新的短片中。
如果可以讓美好時光重塑，如果深刻感情能夠再度重溫，你想回到哪一天？ 結婚超過四十年，曾經的暢銷作家維多（丹尼爾奧圖 飾）漸漸失去靈感，和老婆的婚姻也亮起紅燈。對生活喪失熱忱的維多，在兒子與朋友的幫助下，決定接受「美好拾光公司」提供的神祕體驗，讓電影道具搭建的擬真場景和專業演員的演技幫襯，帶他回到當年在酒吧遇見摯愛的那一天，重溫天雷勾動地火的美好戀情，維多能因此讓老婆重新愛上他嗎？
As beloved Broadway star Lillian Hall pours her heart, soul, and time into preparing for her next big role, she finds herself blindsided by confusion and forgetfulness. Battling against all odds to make it to opening night, while holding on to her fading memories and identity, she must navigate a tumultuous emotional journey – balancing her desire for the spotlight and the stark demands of the real world.
Henrique can't get over his breakup from Gabriela and, even a year later, he's so devastated that he can't get excited about anything or anyone else. To put an end to his suffering, he decides to take his own life, but as he doesn't have the courage, he hires a company of hitmen who have just one rule: Once signed and paid for, there is no turning back. However, after signing the contract, Henrique and Gabriela cross paths by chance and she discovers that she wants to get back together. Desperate to find out who will be his executioner, Henrique becomes involved in a path full of tense and miraculous situations in order to save himself and finally be with the woman he loves.
"Minamata is the name of a fishing village in Japan," said the writer-director ("Peep Show," "Eva Peron," "Rusty Sat on a Hill One Dawn and Watched the Moon Go Down"), who wrote the piece with Mira-Lani Oglesby. "Chisso, a company that makes parts for plastic, dumped mercury waste into the water supply and the fishermen got sick. A high percentage of the villages depended on fish and fishing so their livelihoods dried up too. "The story of Minamata is just the departure point for the play," the writer said. "It's the ghost behind the play, the shadow over it. The piece is a meditation on beliefs, ways of thinking, how operatives in the system create a way of thinking that makes it possible to destroy life in order to improve it. There's a thesis that in order to progress you have to allow for destruction. No. You cannot buy into that way of thinking, because it's erroneous and hurtful."
YEARS OF PILGRIMAGE: Franz Liszt was a virtuoso pianist that took early nineteenth-century Europe by storm. He conquered the Parisian salons with passionate performances marked by excellent technique and handsome features that became the downfall of many women. But what was he truly after? The musical narrates the story of Liszt's early years, and his pilgrimage across Europe in an attempt to find a place where his soul could belong, focusing on the romance with the Countess Marie d'Agoult, and his greatest friend and rival, Chopin. FASHIONABLE EMPIRE: A revue that transforms the stage into the "Empire" where the pioneering fashionistas of our time gather. The stylish array of scenes will enchant the audience, at times with the cool atmosphere, and at times with the hot beats. While focusing on the sophisticated and metropolitan appeal of top star Yuzuka Rei this revue also shows off the unique, scintillating members of Flower Troupe through many groovy scenes.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
On the night of their wedding anniversary, a bohemian theatre actress and a beatnik inspired writer confront the strife of their relationship, dreams, and the city they once loved.
During the break of her theater play, Luna gets confronted with the consequences of her own ambitions
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
The assassination of the would be ruler of Rome at the hands of Brutus and his fellow Senators has tragic consequences for the idealist and the republic.
Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.
Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.