As a serial killer stalks the city, Julia — a young actress who just moved to town with her husband — notices a mysterious stranger watching her from across the street.
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.
A seductive woman gets an innocent professor mixed up in murder.
Mort Rainey, a writer just emerging from a painful divorce with his ex-wife, is stalked at his remote lake house by a psychotic stranger and would-be scribe who claims Rainey swiped his best story idea. But as Rainey endeavors to prove his innocence, he begins to question his own sanity.
NEDs (Non Educated Delinquents) is the story of a young man’s journey from prize-winning schoolboy to knife-carrying teenager. Struggling against the low expectations of those around him, John McGill changes from victim to avenger, scholar to NED, altar boy to glue sniffer. When he attempts to change back again, his new reality and recent past make conformity near impossible and violent self determination near inevitable.
A couple and their 12-year-old son move into a giant house for the summer. Things start acting strange almost immediately. It seems that every time someone gets hurt on the grounds, the beat-up house seems to repair itself.
A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter.
The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said
A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]
The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
Two young lovers wander off to a forest on their wedding night where their fate is overcome by the darkness of self- destruction. Finding a field of poisonous strawberries in the forest, she has harmed herself in the worst way possible: losing him.
A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.
Nelson has a vivid nightmare of a woman being murdered and discovers that this is the beginning of a string of actual serial murders. To clear up this disturbing mystery, he pursues the serial killer to find out why he is haunting his dreams.
A person performs routine tasks and relaxing activities to fight a troubling zeitgeist.
The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice
An enthusiastic androgynous voice leaves a message on 25-year-old Mina's answering machine inviting her to the best party of her life. Mina really doesn't want to go, so she tries to come up with the most outrageous excuse to get rid of the Voice once and for all. However, her mind has a surprise in store for her.
Two parka-adorned silhouettes engage in a barely-audible conversation about Snapchat, grades, money, and other unintelligible topics, until one notices something on the other's glasses. It is not ice.
Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.
Sylvia is writing her first novel. This will uncover dark secrets from her family's past; a past that now returns to haunt her. Disturbing, strange, frightening ghost story set in an exotic Spanish colonial city by the sea. A tale of mystery and terror that will keep you guessing from start to end.