Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.
A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
夏休みを利用しておばちゃまの羽臼屋敷を訪れる“オシャレ”と6人の友人。だがおばちゃまはすでにこの世の人ではなく、戦死した恋人への思いだけで存在し続ける生き霊だったのだ。そして若返るためには少女を食べなければならない。ピアノや時計が少女たちを次々に襲い、羽臼屋敷は人喰い屋敷と化した……。
ニッキー（ローラ・ダーン）とデヴォン（ジャスティン・セロー）は、映画監督のキングスリー（ジェレミー・アイアンズ）が手掛ける映画に出演することになる。その作品は、ある秘密を抱えており、主演女優のニッキーは役にのめりこむにつれ、次第に役柄と私生活を混同し始めるようになる。
250ccクラスのバイクレーサー、バドは、東海岸でのレースを終え、次のレースが開催されるカリフォルニアへと移動中。その道中でさまざまな人々に出会うが、彼の心は愛していながら別れてしまったかつての恋人デイジーへの思いで溢れていた。
In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next target.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Two robots embark on a quest to become human.
A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Engine materializes Liz Harris’s self-confessed obsession with engine sounds from cars and trains, and noise explosions heard at drag races. For Harris, that is the sound of excess, power, sex, destruction, capitalism, and oil becoming an airborne pollutant. All the same those are the sounds of transformation, from which comes life. With an original film by Takashi Makino shown in the background, Engine is a large stage machine of guttural bass tones and constant revving up that mimics our heartbeat and breathing, and pumps the blood in our veins.
Themes of death, rebirth and mythology combine in this compilation of subversive and surreal experimental US films.
In this short experimental film, three friends are waiting for their train to arrive.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Born in 1981, Roman was a brilliant young man, promised a bright future but he died crushed by a car in 2015. His friend Eugenia could not accept this disappearance and decided to create an “intelligent” chabot. Feeding it all his texts, the software learned to speak like him thanks to an artificial intelligence.
Cracking open the human-camera body.