Năm người bạn đi nghỉ hè và trú tại ngôi nhà nhỏ trong một khu rừng. Họ tình cờ tìm thấy "Quyển sách của người chết" (The Book of the Dead) và cuốn băng ghi âm của một vị giáo sư, chủ nhân của ngôi nhà này. Một trong số họ mở cuốn băng nghe. Đó chính là bùa chú được giáo sư dịch từ Necronomicon (Book of the Dead), chìa khóa giải thoát thế lực quỷ dữ trong khu rừng (ma cây). Một cô gái trong nhóm mất bình tĩnh đã chạy sâu vào trong rừng và bị ma cây cưỡng hiếp. Những người còn lại dần dần bị sát hại và biến thành ma (deadite). Ash, thành viên duy nhất còn sống sót phải chứng kiến những cảnh tượng ghê rợn và tự giải thoát bản thân mình.
Sau khi vị doanh nhân hòa nhã buộc phải tham gia trị liệu kiểm soát nóng giận, nhà trị liệu của anh chuyển đến ở cùng. Nhưng hóa ra chính người đó cũng gặp vấn đề này.
Rachel (Caren Pistorius thủ vai) là một người mẹ đơn thân đang phải đối mặt với nhiều những vấn đề trong cuộc sống. Không giữ được bình tĩnh trong một buổi sáng đột nhiên bị mất việc, cô vô tình nặng lời với một người đàn ông (Russell Crowe) trên chiếc xe chắn đường mình. Rachel không hề biết rằng gã đàn ông mà cô vô tình gây hấn chính là một kẻ có vấn đề về tâm lý, điên cuồng, tàn độc và sẵn sàng “dạy dỗ” người khác bằng những bài học chết người. Cô và những người thân yêu của mình liệu có toàn mạng trong cuộc rượt đuổi đó?
Seymour Krelborn is a nerdy orphan working at Mushnik's, a flower shop in urban Skid Row. He harbors a crush on fellow co-worker Audrey Fulquard, and is berated by Mr. Mushnik daily. One day Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for his supper.
Island farmer Banana Joe helps the local community by trading his bananas for goods. When gangsters arrive with plans to construct a banana processing plant, Joe kicks them out, but the mob boss discovers that Joe is operating without a license. After the mob tips off the authorities and Joe's boat is impounded, he ventures into a big city for the first time to seek help.
Das Experiment is a shocking psycho thriller about the potential for brutality that humans hide. Even more shocking is the fact that it’s based on an actual occurrence — a 1971 psychological experiment at Stanford University that was aborted prematurely when the experimenters lost control.
After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.
Seymour works in a skid row florist shop and is in love with his beautiful co-worker, Audrey. He creates a new plant that not only talks but cannot survive without human flesh and blood.
In a small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.
After her stepdaughter is sexually assaulted at a party, a furious mother sets out to destroy the lives of the four perpetrators who walked free.
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
A scene that’s at once seductive and repulsive, tender and obscene, aesthetically thrilling and grotesque. Surrounded by flowers, fruits, juices and other delicacies, Tejal Shah and Marylea Madiman, dressed in Indian traditional clothing, sit side by side. Shah remains passively seated while her partner brutally feeds her. The excessive eating creates an erotic tension and the interaction between the two blurs the line between sex and aggression. In a provocative way, the human condition, the relationship between violence and power, the body and identity are questioned.
In different times and spaces, genres like Death Metal are born. The early 90′s were still full of the 80′s vibe of over-consumption & greed, which found it’s way into everyday life, even into the music that was created. Just like hardcore in the early 80′s, not all of the teenagers of this decade wanted to hear the bubblegum pop that had invaded the airwaves. Death Metal did not want to be digested by the masses, and as a sub culture it was totally happy being the outsider. I’m not sure what was in the water in Florida during the late 80′s, because those kids were on some next shit, and they helped push the genre to other heights. When you are living in a certain period of time, you do realize that the life you are living could become historic to others in the future.
The rebellious socialist Knut is subjected to a mental evaluation after he assaults a stranger on the street. Psychologist looking track Knuts aggression in childhood experiences while Knut himself sees them as a natural reaction to the class society's oppression.
Violence among girls seems more visible than ever. This year, in Walthamstow, there were shocking scenes as a fight broke out started by young women. In Belfast, a fight between two girls organised on social media became a spectator event for the city’s teenagers. BBC reporter Alys Harte asks, are girls getting angrier - and if so, why? From women who beat their boyfriends, to drunken brawlers, to girl gangs - Alys looks at the rising number of females who are involved in violence, and hears from their victims.
A group of teenagers must meet once a week for anti-aggression training, or they'll end up in jail. In the past, they have taken their aggression out on other people; now they have been given a chance to control their anger.
A mysterious plant found on the surface of the moon wreaks havoc on the Jackson Lunar Base when its spores change the base's crew into leafy, undead creatures.
Aggression, Schroeter’s first 16mm film, is the fictive portrait of a woman who is oppressed by her (unseen) boyfriend.