A docudrama depicting a hypothetical nuclear attack on Britain. After backing the film's development, the BBC refused to air it, publicly stating "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting." It debuted in theaters in 1966 and went on to great acclaim, but remained unseen on British television until 1985.
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Abeba (2023) is a hybrid genre film for Migration and Mobility (Global Cinema) course. Inspired by the aesthetic approaches found in Nollywood , Documentaries and other genres, and through a fictional narrative. The film centres around Abeba, a young migrant who moved recently to the UK. She works as a cleaner; the film follows her daily routine. We see Abeba doing mundane everyday chores. One day after work, Abeba receives a text message from a guy that she fancies inviting her to a house party. While getting ready for the party, she receives a sudden phone call from her overbearing mother. During the call, Abeba engages in a web of lies to escape her mother's interrogation.
Lucy and David's 8 year relationship has survived a distance of 2700 miles, but the events of one night tests their decision to stay together.
The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
Gravedigger is the last name on the list of fighters facing the Corona epidemic. The gravediggers have buried the dead in one corona after another at the call of humanity even though they were not paid. In return, they received some rewards and an invaluable realization. One of them is Aslam of Ray Bazar Cemetery, The Last Man.
In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?
Filmmaker Richard Dindo's unique documentary uses historical reenactments and speculative "interviews" of historical figures to paint a fascinating portrait of one of the most influential writers of modern literature, renowned author Franz Kafka. Best known for his novel The Metamorphosis, Kafka was famously secretive and eccentric, and the details of his private life have become just as captivating to his fans as his work.
David turns the terrible 30s. He celebrates it with his friends from the town, those of a lifetime. They have not seen each other for a long time, although there is desire, something changes. The celebration becomes a reflection of their lifes and a memory of those who no longer come. A docufiction about the Millennial generation.
The work of Fernand Pouillon, "France's most wanted" architect after being imprisoned and mysteriously escaping in the 1960s, now seems to have faded into the background. However, in 50 years he has built more than 5 million square meters, mainly between France and Algeria, at a frantic pace, traveling tens of thousands of kilometers per week, by propeller plane, to go to construction sites. at night or at dawn between Marseille, Paris, Algiers or in the middle of the desert, until you burn your wings. Among others, Fernand Pouillon decided to build houses for the most modest.
Felix and Mark are close to being invited to a party after school. Problem is — they need to bring their own alcohol. With zero experience, they enlist the aid of Ethan, but things don't go as planned, leading Felix and Mark into an argument that puts their friendship hanging in balance.
Exploration of memories related to food and food making. Three women are preparing dishes personally meaningful to them, while the director's grandmothers recount the tales of what food and cooking meant for them throughout their lives.
Filmmaker Julia interviews people who photograph sunsets. During filming, a man demands that she deletes the pictures of him. When she refuses, an argument ensues.
After hitting a dog with his car, Stefan, guilt-ridden, decides to bring it with him to the hometown lake, where he is headed in order to complete the film about his mother who has recently passed away.
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
During the summer semester at a New York City arts school, boundaries begin to blur between an adjunct professor and the students in her Personal Documentary filmmaking class.
Dreaming in Black and White is a portrait of Singapore artist Tang Ling Nah. The film takes us on a journey into Ling Nah’s inner world—her memories, dreams and angels, and her fascination with black-and-white media, drawing charcoal and the city’s transitional spaces. The film explores her practice over the last 15 years and hints at the possible new directions in her art career. It highlights Ling Nah’s courage to pursue her dream to be an artist, the choices and sacrifices she has made, as well as the challenges of being a woman artist in Singapore and her regrets in this journey. The film’s dream-like form mixes documentary, fiction and animation. It blurs the boundaries between us, Ling Nah’s art and her deepest being. Ultimately, it celebrates our dreams—and reassures us that dreams do come true if persevered.
Based on the model of documentary fiction (alternating period films, interviews and re-enactments with actors), the film begins on September 8, 1961 with the failure of the Pont-sur-Seine attack on a road convoy carrying Charles de Gaulle, then President of the Republic, and continues with the slow preparation, the occurrence and the consequences of the Petit-Clamart attack on August 22, 1962.