Church kokoaa Expendables-porukan kasaan helpolta vaikuttavaa tehtävää varten. Keikan pitäisi olla pala kakkua Barneylle ja hänen palkkasotureilleen: Barney Ross, Lee Christmas, Yin Yang, Gunnar Jensen, Toll Road ja Hale Caesar – sekä uudet vahvistukset Billy the Kid ja Maggie. Mutta asiat alkavat mennä pieleen, kun yksi heidän omistaan tapetaan julmalla tavalla. Expendables-porukka lähtee hakemaan kostoa. Ylivoimaisen vahvan vihollisen maaperällä ryhmä kokoaa rivinsä ja lähtee hyökkäykseen. Viime tingassa porukan onnistuu napata vihollisleiristä kuusi kiloa plutoniumia – riittävästi räjähdettä muuttamaan maailmaa. Mutta jättiläispommit kalpenevat sen rinnalla, mikä odottaa häijyä vihollista, joka surmasi yhden sotureista. Luvassa on kosto – Expendables-tyyliin...
On jouluaatto. Ajelet vuorenrinteitä ylös ja alas, liukastelet jääkenttien halki, horjut korkeiden siltojen yli ja juot ällistyttävien laulavien tarjoilijoiden tarjoilemaa kaakaota. Olet Napapiirin pikajunassa!
Sanotaan, että vastakohdat vetävät toisiaan puoleensa... No, tämä pitää ehdottomasti paikkansa vetelehtivän Benin ja uraa tekevän Alisonin kohdalla - ainakin yhden huumaavan illan ajan. Kaksi kuukautta ja useita raskaustestejä myöhemmin Benillä ja Alisonilla on edessään hulvaton, hermoja raastava, sydämellinen matka, joka saa katsojan tikahtumaan naurusta.
A New York City bank teller becomes a media celebrity when he refuses to comply with his employer's demands that he shave his beard.
ACP Pouran mistakes two innocent circus performers, Jumper Thambi and Tubelight Mani, to be dangerous terrorists and arrests them. Pouran realises his error only after the men are sentenced to death.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
The true story of Dwight Worker, an American who was caught smuggling drugs in Mexico, and sentenced to fortress-like Lecumberri Prison where he endured brutal conditions. With the help of his wife, Barbara, he escaped the prison by disguising himself as a woman. He was the first prisoner to escape Lecumberri since Pancho Villa.
A young girl writes to President Abraham Lincoln to advise him to grow a beard.
After impulsively shaving off his beard and sidelocks, a young Hasidic man experiences a nightmarish transformation that leads him right back to where he started. Over the course of one painful night, Eli Eisenstein will come to realize that it’s much easier to shave your beard than to shed who you are.
A look at the life of a man and his hat and his beard.
FESTED: A Journey To Fest 7 is a documentary film about a group of friends' experience at the yearly punk music festival held in Gainesville, Florida simply called The Fest. It was filmed over two weeks spent in Gainesville around Fest 7 in 2008. The film follows Gainesville's SPANISH GAMBLE (formerly DIRTY MONEY) and friends on their quest to play and experience the epic weekend-long festival that has been called things like "punk rock christmas", "a big, drunk, punk rock, bearded, tattooed family reunion", and "the last true home of punk rock".
Returning from work, Jonas starts to suffer from a stomachache and, to make things worse, none of the elevators are available to use. The situation requires patience, but will his intestines allow for it?
A documentary on the World Beard and Moustache Championships (WBMC) and men who enter the WBMC. This biennial competition judges men in eighteen different moustache, partial beard, and full beard categories for the title of "Best Facial Hair in the World." Our 40-minute documentary on the 2009 WBMC features a beardly cast including Jack Passion, the Australian band The Beards, captain of the USA Beard team Phil Olsen, and many more bearded and moustached competitors!
A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.
What happens when you take a man's beard? You're about to find out.