Summer heats up in rural Louisiana beside Eve’s Bayou, 1962, as the Batiste family tries to survive the secrets they’ve kept and the betrayals they’ve endured.
Four outlaws with a bounty on each head, set a date for a shootout in Langston, Oklahoma. The last man takes the collective bounty. Violence and mayhem ensue.
God, heaven, and several Old Testament stories, including the Creation and Noah's Ark, are described supposedly using the perspective of rural, black Americans.
A black laborer turns preacher after accidentally killing a man.
Two mobs fight for control of the jukebox racket.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
An all-black horror comedy starring Mantan Moreland and sometimes partner (and straight man) F.E. Miller, Lucky Ghost is amusing low-brow fare that exploits the more base, stereotypical elements of old-time black life (chicken thievin', gamblin', runnin' from ghosteses) for laughs -- sort of like the BET of its day. Mantan and Miller win a house-cum-casino in a craps game, only to discover that the deceased former owners aren't too pleased that their old home is being used for "jitterbugging, jiving, and hullaballooing". I hate hullaballooing. The ghosts decide to scare everyone off by opening doors and windows, pulling out chairs, even playing the drums.
A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?
A cowboy is wrongfully accused of murder. He winds up in Harlem, where he assumes the identity of a preacher-turned-gangster who looks like him. He infiltrates the gang to catch the men who framed him.
A nightclub owner's wife, jealous of his attentions to his star singer, schemes to get her fired.
A strange voodoo man kills women and moves their bodies wherever he wants. But this time, he just wants to torment Lollypop Jones with a body that keeps showing up no matter where he goes.
Pigmeat and Shorty, who own "Pigmeat and Shorty's Bootery", are told by their landlord to either pay up or get out. They get caught trying to short-count him, and he threatens to have them arrested. After a series of disasters--they ruin a customer's suit, their store blows up--they get a telegram notifying them that a man they once did a kindness for has left them quite a bit of money and a house, but in order to get the inheritance, they have to spend a night in the bedroom of the man's house. When they arrive there, they notice two things--the place is kind of creepy and a series of spooky incidents leaves them to believe the house is haunted.
A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
A musical comedy drama of life behind the scenes in a Harlem movie studio.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
A famous bandleader, suffering from overwork and exhaustion, goes to a sanitarium for a rest. While there he dreams of being out west at a dude ranch, where he finds himself involved in the beautiful owner's struggle to keep her ranch from falling into the hands of the villain, who wants either her or her ranch (or, preferably, both).
Mercy, the Mummy Mumbled pokes fun at both mad scientists and the Egyptian mummy craze that followed the discovery of King Tut's tomb early in the 20th century. A young man wooing the daughter of a scientist hatches a get rich quick scheme when he spots a classified ad searching for "a mummy for experimental purposes." While he wraps up a phony for the scientist, two Egyptian agents (outfitted in a crazy mix of ancient fashion and modern style) tracking stolen relics get tangled in the confusion.
A Harlem nightclub entertainer arrives on the Caribbean island of "Rinidad" to perform as the headliner in a revue at the Paradise Hotel. She quickly attracts the attention of several men.
The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
Tommy McCoy and "Dude" Markey are both in love with Harlem singer/dancer Nita. Markey robs a jewelry store and turns the loot over to gang-boss Murray Howard. Later, Markey robs the safe, steals the jewelry, and, in order to get rid of his rival for Nita, frames the robbery on McCoy. The latter's big-brother thinks otherwise and, with Nita's help, sets out to prove it.