Axel Foley matkaa jälleen Beverly Hillsin maisemiin, tällä kertaa Wonderworld-huvipuiston vauhdikkaaseen ja värikkääseen maailmaan! Yhdessä vanhojen tuttujen Billy Rosewoodin ja Sergen kanssa Axel kääntää huvipuiston ylösalaisin roistojahdissaan.
Traagisessa auto-onnettomuudessa vaimonsa menettäneen Davis Mitchellin kirjeet myyntiautomaattiyhdistykselle kiinnittävät asiakaspalvelijan huomion, mikä johtaa yllättävään yhteyteen näiden kahden välillä. Ohjaajana palkittu Jean-Marc Vallee.
Onpa omituinen matka. Kaikki esiintyy pareittain. Tennistähti Guy (Farley Granger) vihaa uskotonta vaimoaan, ja salaperäinen Bruno (Robert Walker) vihaa isäänsä. Täydellinen tilanne leikkisälle ehdotukselle: Minä tapan sinun puolestasi, jos sinä tapat minun. Alfred Hitchcock korostaa ihmisluonnon kaksijakoisuutta. Mitä enemmän katsoo, sitä enemmän näkee. ?Eikö olekin kiehtova suunnitelma?? kysyi jännityksen mestari usein itsekin. Suunnitelma on nyt kaksinverroin kiehtova, sillä Hitchcock jätti jälkeensä kaksi versiota tästä elokuvasta.
An adorable candy-loving mutt goes on a mission to save the world.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn't met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
A carousel barker falls in love with a young woman. Both are fired from their jobs, and when the young woman becomes pregnant, the carousel barker tries to help pull off a robbery, which goes wrong. Because of the robbery, he dies, and after spending time in hell, is sent back to earth for one day to try to make amends. Preserved by the Academy Film Archive.
Hans von Arnam travels to a Flemish village to study a strange carousel located in an old windmill that displays famous murderesses and other notorious women from history. Professor Gregorius Wahl, owner of the windmill, warns Hans to stay away from his mysterious daughter Elfi, in order to keep Hans from discovering the horrible secret shared by the Professor and Elfi's Doctor.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a young, innocent maid. The maid, Julie, loses her job after going out with Liliom; he's fired by his jealous employer for going out with Julie. The two lovers move in with Julie's aunt; unemployment emasculates him and a local weasel tempts him with crime. Julie, now wan, is true to Liliom even in his bad temper. Meanwhile, a stolid widower, a carpenter, wants to marry Julie. Is there any future on this earth for Julie and Liliom, whose love is passionate rather than ideal?
Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.
A poor fisherman and his girlfriend live in a small boat under an open sky for decades. Based on a true story.
Carousels, doubling up on the helter skelter and an enormous key feature in the annual funfair on Mitcham Green.
Since 1926 the Philadelphia Toboggan Company #36, (PTC 36) has occupied a place in the hearts and minds of children of all ages who visit Seabreeze Amusement Park. In March of 1994, a tragic fire took the beloved carousel from this Rochester, NY community. This is the story of the aftermath and the determination of the owners of Seabreeze Amusement Park to build a new carousel in the grand tradition of PTC 36
Along the lines of a mockumentary, "Ultimo giro" is the story of a growing and violent gentrification of which the Pigneto was a witness, in recent years. It is the raw and sincere representation of the same reality viewed from two opposite perspectives, but it is also the demonstration of how conflict and prejudice always deserve one last chance – one last round, why not – to be resolved and overcome.