When a Jamaican sprinter is disqualified from the Olympic Games, he enlists the help of a dishonored coach to start the first Jamaican bobsled team.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Horsemouth, a drummer living in a ghetto of Kingston, plans to make money selling records. After his prized motorcycle is stolen, his plans fall through and he's forced to adapt.

Kassa a free-wheelin rasta man, falls for a straight laced gospel singer Serena, when they both meet as they enter a music contest. Serena's father the pastor forbids her to see him and wants her to marry one of his church members. Meanwhile the record boss organizing the contest, tries to get Kassa's band to sign to his label on his terms not theirs. By using heavy tactics, he pushes the band to fight back.

"Standard Bearer" chronicles the recording of Swedish rapper Promoe's album "White Mans Burden". It features studio recordings from the making of the album in Kingston, Jamaica and Malmö Sweden. The documentary contains guest apperances by Capleton, Assasin, DaVille, Fantan Mojah, Lady Saw, Leeroy from Saïan Supa Crew and a flashback from the making of Looptroop's "Hurricane George" with Timbuktu, Chords and the DVSG family in 2004.

Forty years ago, Bob Marley embarked on a tour of Europe and the United States with The Wailers in support of their Uprising album. The 38-show excursion would be the last for the reggae icon, who succumbed to cancer on May 11, 1981. Marley & The Wailers brought the run to Dortmund, Germany on June 13, 1980 and the concert was filmed for the German live music television program Rockpalast.

The Wailers, featuring the legendary Bob Marley, Peter Tosh and Bunny Wailer, became the most influential band in the history of Reggae music. "Catch a Fire," their first Island album, released in 1973, introduced them to an international rock audience. The principal figures in the creation of the album tell the story of how this record was designed to "cross-over." The program features a unique interview and performance with Bunny Wailer, rare archive interviews with Bob Marley and Peter Tosh and contributions in words and music from many of those who performed, Rare home movies of the Wailers in Jamaica, unseen footage lots more.

They have raged on for forty years, cutting a swath across continents and lighting the fuse of revolutionary thought. From the pressure-cooker ghettos of England to the mighty gates of 1600 Pennsylvania Avenue, one band has forged an enduring legacy. This is their story.

Documentary about reggae music and culture in London in 1977. Filmed in Super 8 camera by Don Letts. With participation of Richard Branson, Neneh Cherry, Paul Cook, Sly Dunbar, Paul Weller, John Lydon, Joe Strummer, Siouxsie Sioux, Lee ‘Scratch’ Perry and others. Released in 2017.

This feature length documentary charts the story of the great Bunny ‘Striker’ Lee. A legend himself, there’s not a lot of pioneers of roots and reggae that he didn’t work with, becoming the go-to producer for that dub sound coming out of Jamaica in the sixties and seventies, further cementing his legacy when he started licensing his productions straight to London labels. Diggory Kenrick’s doco calls on not only Lee himself to tell the story, but features the likes of U Roy, Dennis Alcapone, Lee “Scratch” Perry, Sly and Robbie, Johnny Clarke and Johnny Holt among others.

Documentary on the London punk-rock scene, circa '78

Recorded in California at the Santa Barbara County Bowl, this live concert appearance from Bob Marley and the Wailers was filmed on November 25, 1979. One of the last shows to be recorded before Marley's untimely demise, the gig is a scintillating mix of reggae classics and provides a fitting epitaph to the influential musician. Tracks include "I Shot the Sheriff," "Exodus," "Is This Love" and many more.

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

Concert film to celebrate the release of KIRA's 1st major debut album. A concert tour was held at 16 places all over Japan. This concert film depicts the final lap of the tour held at PICCADILLY in Osaka.

A documentary covering the life and death of Jamaican reggae musician and cultural icon Peter Tosh. Drawn both from Tosh's "Red X" series of autobiographical tapes that he was recording at the time of his murder and from interviews with other figures in his life.

Reggae documentary of the One Love Peace Concert held in Kingston, Jamaica in 1978. In addition to the music, this film features the return to Jamaica of Bob Marley after a 16-month hiatus following an attempt on his life.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

Founded in the Bronx by Jamaican expat Lloyd ‘Bullwackie’ Barnes in 1976, Wackie’s take on dub and reggae was nothing if not distinctive. Idiosyncratic by nature, and textually lo-fi by necessity, this unique mojo long served as the label’s de facto sonic aesthetic. A protégé of Prince Buster, and a former engineer at Duke Reid’s Treasure Isle label, Barnes’ touch can be felt across dozens of records including sides from Wayne Jarrett, Sugar Minott, Prince Douglas, Horace Andy, Love Joys, and fellow producer, Lee ‘Scratch’ Perry. Released in 1981, the following hour-long documentary, Bullwackie In New York, provides a priceless snapshot of the independent label and the culture surrounding it. Live performances, interviews, studio footage and more.