Nana "Hachi" Komatsu e Nana Osaki, due ragazze ventenni accomunate dal nome e dalla decisione di trasferirsi a Tokyo, si conoscono sul treno diretto verso la capitale giapponese. Si rincontrano ancora per caso in un appartamento che entrambe vogliono affittare: decideranno così di essere coinquiline e di condividere la loro vita quotidiana.
Karim is 17 years old and lives in a South London suburb with his English mother and Pakistani father, who has become a kind of spiritual guru to his middle-class neighbours. Karim wants to explore his cultural roots, in the hope that he will achieve sexual and racial self-realisation.
Basata sul memoir di Jones, la serie racconta la storia di un gruppo di imprevedibili, rumorosi ragazzi della classe operaia "senza futuro" che hanno scosso fino alle fondamenta il noioso e corrotto Establishment, minacciato di abbattere il governo e cambiato la musica e la cultura per sempre.
The Art of Punk, a series of documentaries from MOCAtv, the video channel of Los Angeles’ Museum of Contemporary Art. Emphasizes its focus on, literally, the visual art of punk: its posters, its album art, its T-shirts, and even — un-punk as this may sound — its logos.
A look at the lives of a large ensemble group of punks, mods, and rockers in the fictional town of Holwenstall. The series is a satirical portrayal of the counter-culture lifestyle, blending slapstick humor, punk ideology, underground music and coming of age melodrama to analyze the interlocking lives of its troubled and self-centered protagonists. Features strong language, nudity and violence.
Featuring original interviews with America’s punk pioneers and the U.K.’s most notorious bands, alongside a seamless blend of rare and unseen photos, gritty archival film and video, a crackling soundtrack of punk hits and misses, this documentary series explores the music, the fashion, the art and the DIY attitude of a subculture of self-described misfits and outcasts.
Throb is an American television sitcom broadcast in syndication from 1986 to 1988, created by Fredi Towbin. It revolved around thirty-something divorcee Sandy Beatty who gets a job at a small New Wave record label, Throb. Beatty's boss is Zach Armstrong, who looks like Michael J. Fox but dresses like Don Johnson. Beatty also has a 12-year old son named Jeremy. Beatty's best friend was Meredith, a single teacher who lived in her building, and her co-workers included hip business manager Phil Gaines, and Prudence Anne Bartlett, nicknamed Blue.
During the second season, Sandy moved from her original apartment to the recently vacated penthouse in her building. She took in her co-worker, Blue, to help with rent, but the differences between straitlaced Sandy and the very free-spirited Blue became more pronounced as they both lived and worked together.
Notably, it was the first time much of the American TV audience saw Jane Leeves, who later gained fame as Daphne Moon on Frasier. Also notable is the casting of a young Paul Walker, who played Jeremy Beatty for the first season. Walker became a leading man in Hollywood some 15 years later, particularly after his breakthrough role in The Fast and the Furious.
A fast-paced, musical docu-series that examines the punk scene in the Twin Cities from 1980 to 1985. The Minnesota scene was a close-knit community of artists and fans that encouraged culture and spawned huge talents like Hüsker Dü, The Replacements, Soul Asylum, Rifle Sport and more. Minnesota Hardcore is made possible by the Arts and Cultural Heritage Fund and the citizens of Minnesota.
A brand new take on the most transformative force in British popular music history.
I.R.S. Records Presents The Cutting Edge is a music program that aired on MTV from March 1983 to September 1987, on the last Sunday of every month. The first year of the show featured a variety of hosts including Jools Holland, Jeffrey Vallance, and Wazmo Nariz before settling on Peter Zaremba, the lead singer of The Fleshtones. Interviews with musicians and performances were videotaped in clubs, recording studios and private homes. In 1986, the name of the show changed to The Cutting Edge Happy Hour and was videotaped at a single location, the Hollywood Holiday Inn.