Superherojus Hankokas – nelaimingas vienišius, ištvirkęs sekso maniakas ir konfliktiško charakterio alkoholikas, kuriam patinka gelbėti žmones ir būti dėmesio centre. Tik štai kiekviena gelbėjimo operacija atneša dar didesnių nuostolių eiliniams piliečiams. Ir jam visai nesvarbu, ką apie jį galvoja kiti.
Žurnalistė Endi rašo straipsnį, paremtą asmenine patirtimi, apie tai, kaip reikia diplomatiškai atsikratyti vaikino per 10 dienų. Per šį laiką reikia susirasti vaikiną, susukti jam galvą ir padaryti visas moteriškas klaidas tam, kad jis bėgtų net neatsisukdamas. Bendžaminas dirba reklamos srityje ir siekia karjeros. Jis nori kurti reklamas prabangiems papuošalams. Bandydamas įrodyti savo viršininkui, kad supranta moterišką rinką, jis pažada susirasti šaunią merginą ir priversti jį įsimylėti vos per 10 dienų...
A police detective falls in love with the woman whose murder he's investigating.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
An advertising man is slowly sliding downhill. When he is fired from his job in Detroit, he signs up for unemployment. One day they find him a job: teaching thinking skills to Army recruits. He arrives on base to find that there is no structure set up for the class.
To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.
To cover up his infidelities and protect his upcoming marriage, a star advertiser helps free an accused rapist by giving a false alibi and suffers the brutal revenge of the victim.
Graphic designer and multidisciplinary artist José María Cruz Novillo redesigned Spain's corporate image as the country transformed itself and tried to move into the future.
Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?