未来世界，科技高度发达，极度仿真的高智能人形机器人深入到社会的方方面面，成为人类的得力助手。只是狂妄自大的人类似乎单单将机器人看作服务自己的奴隶，而忽略了他们悄悄滋长的万千情感。正就读高中的向坂陆夫如很多“钻头系”（过度依赖机器人的族群）一样，日常生活全部交由机器人萨美处理，并且绝对相信机器人三大法则的规定。可是近一段时间发现，萨美时常会去一些指令之外的地方。倍感困惑的陆夫约请好友真崎正树根据萨美的数据记录来到了一家名为“夏娃的时间”的咖啡馆，他们惊奇地发现这里聚集了许多刻意消除掉标志性光环的机器人，此时的他们与人类无异，并且也有着各自的快乐和烦恼。与此同时，针对人型机器人“自我”状况愈加明显的情况，以伦理委员会为首的部分组织开始展开行动……
由于律师波特从中作梗，少年皮特家的房屋遗产权受到侵占，以致长期寄居在皮特家地板下面的寄居人波德一家也要随之搬迁。 在搬家过程中，波德的女儿阿列埃蒂和皮格林无意中发现了波特的阴谋。她们遭到波特的追剿。 在寄居人游侠斯皮勒的帮助下，波德一家团结几千名寄居人战胜了势力强大的波特，为皮特家夺回了他们应得的权利……
《让娜?迪尔曼》是一部怎样的电影呢？它是阿克曼1975年的一部长达三个半小时的电影，它又是一部著名的“女权主义”电影，它还是一部在形式与内容上都极富革命精神的电影。总之，阿克曼这位拍片数极少的比利时女导演凭借她二十出头拍出的这部电影，就足以让无数的影评人、电影史学家为她树碑立传了。它的独特、先锋已远远超出了我们的想象，我相信，以前没有，以后也不会再有如此奇妙的观影体验了！ 影片内容用一句话就可以概括：一个中年寡妇三天的日常生活（影片其实是从第一天下午到第三天的下午，仔细算下来也就两天多一点），影片的拍摄手法也十分“简单”——固定长镜头（影片中的机位选择非常严格，比如说厨房是正面、侧面两个机位，算下来全片也就只有十几个机位），影片场景同样十分“单调”——超过90%是在让娜?迪尔曼所住的公寓里拍摄的。
Maya is the perfect mother. Her life revolves around her three children, Aleya, Ankush, and Anjali. Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman. Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
A stern father and lenient mother try to deal with the ups and downs of their four children's lives in working class Bolton, England.
Since childhood, Renata was instilled that the nature of a wife is to serve and maintain the integrity of the household. Problems arise when Edwin, her abusive husband, cheats on her. Renata, who is terrorized by the presence of another woman, is determined to save her household.
一位访客（特伦斯·斯坦普 Terence Stamp 饰）的到来彻底改变了一个家庭的生活，虽然这个访客没有身份，没有历史，甚至连名字都没有，但家庭中的每一个人都被他诱惑为他癫狂。妻子（肖瓦娜·曼加诺 Silvana Mangano 饰），丈夫（马西莫·吉洛提 Massimo Girotti 饰），女儿（安妮·维亚泽姆斯基 Anne Wiazemsky 饰），儿子（Andrés José Cruz Soublette 饰），女佣（劳拉·贝蒂 Laura Betti 饰），每一个人都臣服于访客所带来的灵魂与欲望的纠葛之中。访客离开后，丈夫放弃了经营多年的工厂，妻子开始于工人们寻欢作乐，女儿陷入了内心的顽疾之中，儿子开始探索艺术带来的奇迹与喜悦，女仆的身上则显露了神迹。一切都陷入了混乱，可是依旧没有人知道，这位神秘的访客到底是何方神圣……
New adventures of truck drivers Jare and Paja, long-time fellow associates and close friends. Jare is forced to pay off his debt for the loans he was raising to build a house for his numerous family. He must find heaps of money as soon as possible, or let tax gatherers to take everything. Paja tries to help him in this impossible task, but on their way they face bunch of obstacles, losses and misfortunes, encountering all sorts of people, only to end up in serious problems.
Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.
Louie the hamster and Louie the chameleon are jealous of the family dog getting all the attention.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She’s been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him.