A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)
Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
Берлин, 1932.The, Ваймарската република е разкъсвана от борбата между дясно и ляво крило на екстремистите и Берлин е барутен погреб. И любовта между лекаря евреин Алберт Голдман и певицата в нощен клуб Хени Далгов... един наистина хубав филм!
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
Централно място заема спортният празник, в който участват 4000 работници-спортисти.
On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.
In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.
Presents a unique and disturbing look at the rise of the Nazi party. The documentary, directed by Lutz Becker, attempts to remain as objective as possible, serving as a neutral observer of the years 1918 through 1933 in Germany. Via newsreel footage and clips of features from the era, the film offers a kaleidoscopic view of the many elements that fueled the rise of the Socialist Nationalist Party, including post-WWI poverty. Hitler occupies a central place in the documentary.
Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...