When a sudden tragedy uproots the lives of two women and their families, they begin to question the relationships they once held so dear.
Filme JCVD „Briuselio smarkuolis" Jean-Claude Van Damme vaidina patį save. Sugrįžęs į gimtąjį miestą, kad pailsėtų po užsitęsusios ir nesėkmingos teisinės kovos dėl dukters globos, į banką užsukti pataiko tuo metu, kai jame vykdomas apiplėšimas. Negana to policija mano, kad nuskurdęs senstantis aktorius ir yra banko plėšikas. Atsidūręs nepavydėtinos įkaitų dramos sūkuryje, Jean-Claude turės prisiminti viską, ko išmoko Holivude, ir suregzti pabėgimo planą. Tačiau ar tikrame gyvenime jis sugebės būti panašus į vaidinamus herojus?
Kokiems išbandymams esi pasiruošęs vardan savo dukros? Filmo herojui teks atsakyti į šį klausimą, kai jo keliai susikirs su policija, mafija ir interpolu.
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
Briuselyje siaučia per keturiasdešimt skirtingų gaujų. Kasmet vis daugiau paauglių įsitraukia į žiauriomis egzekucijomis, sekso orgijomis garsėjančių gatvės nusikaltėlių veiklą. 15-metė Mavela priklauso vienai tamsiaodžių, rasistų ir ypač negailestingų smurtautojų sambūriui „Juodasis Bronksas“, kuriam vadovauja artimi giminaičiai. Ji beprotiškai įsimyli policijos skyriuje atsitiktinai sutiktą charizmatišką Marvaną iš ypač priešiškos marokiečių gaujos „1080-ieji“. Nepalankios ir pavojingos aplinkybės verčia jauną porą rinktis brutalius ir lemtingus dalykus, kuriems akivaizdžiai nepritaria vyresnieji šeimų nariai. Mavela ir Marvanas trokšta būti kartu, mėgina slėpti aistras, susitikinėja slaptai, bet kartu nenori prarasti vadų pasitikėjimo. Deja, jie neišvengiamai pateks į sunkiai išsprendžiamą dilemą.
Rascar Capac, the sinister creature featured on Hergé's album The Seven Crystal Balls (1948), has left its mark on many generations of readers. To draw it, the Belgian cartoonist was probably inspired by a mummy exhibited in the first pre-Columbian exhibition organized by the Brussels Cinquantenaire Museum in 1923. Two intrepid archaeologists embark on a fascinating journey to reconstruct the story of the mysterious mummy.
Four friends tired of protests are thinking about another way to shake up capitalist society. Driven by fiction, they decide to blow up a Brussels shopping center. How to think the attack? What roles do they need to play in order to imagine taking action? Is their friendship reconcilable with such a radical act?
The first part in a new series of films produced by Musée d'Orsay, 'Flight of the Red Balloon' tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien's first Western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse.
Brussels, Belgium, 1959. Michel and Charly Kichka, two Jewish brothers, enjoy a happy childhood with their parents and their two sisters. Henri, their discreet and usually silent father, does not speak at all about his past, so they imagine that as a young man he was an adventurer, a pirate or a treasure hunter.
Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive.
Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.
Since November 2022, the Brussels prisons of Saint-Gilles, Forest and Berkendael have been moving to the brand-new "prison village" of Haren, on the outskirts of Brussels. An ultra-modern, ultra-secure, semi-private prison. But why build new prisons in the first place?
Helene Moskiewicz, a young Jewish woman living in pre-World War II Belgium, is forced to suffer through German occupation by watching her parents arrested and her life destroyed. To fight back, Regine joins the underground resistance movement and strikes the Nazis from within...by joining the infamous Gestapo.
A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.
On his way to a DJ Championship in Brussels, a young Egyptian is mistaken for an illegal immigrant and detained in a country he's never heard of before.
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.
Arno Hintjens is a unique figure. A blend between a playboy and a hobo, a truly cosmopolitan nature and a true rock'n roll heart. Or, as Oor's Music Encyclopedia puts it 'one of the few groundbreaking artists of the European continent by the unique way in which he manages to combine elements of American Blues and funk, French chanson and Belgian barroom-songs into his own personal style'. In this live DVD recorded in Brussels in 2005, he delivers us the best of his songs.
Insomnies is an impressionistic look at the city at night, avoiding the clichés of commercial or tourist films and suggesting instead a lifestyle rhymed by windshield wipers and the music of The Honeymoon Killers. The film is flashing back-and-forth and ultimately leaves, like an arabesque of light and colour made of lines, curves and angles.
At night, alone at his place, Edouard gets ready. He crosses Brussels to go to another man's home.
Manon daydreams about the new customer in her aunt's hair salon. She must be a sea-queen, listening to the heartbeat of her violet whale.