The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
Skarb Nibelungów jest uważany za największy zaginiony skarb świata, przypuszczalnie wciąż ukryty gdzieś w Niemczech. Nic dziwnego, że ludzie poświęcają swoje pieniądze, energię, a nawet życie, aby go zdobyć. Eik (Benjamin Sadler) jest jednym z nich. Niegdyś za wszelką cenę próbował dowieść, że skarb istnieje naprawdę, a nie jest tylko mitem. Gdy podczas poszukiwań słynnego "Skarbu Nibelungów" ginie jego ukochana żona i najlepszy przyjaciel Albert rezygnuje z poszukiwań, aby wieść ciche życie na uboczu wraz ze swoją nastoletnią córką Krimi (Liv Lisa Fries). Dziesięć lat później wszystko się zmienia - pojawia się nowy trop i tym razem może to być ten właściwy. Eik znowu jest częścią gry. Wraz z młodym ekstrawertykiem Justusem (Fabian Busch) oraz z seksowną, bardzo inteligentną i nieco zbyt nerwową badaczką Kathariną (Bettina Zimmermann), rozpoczynają spektakularną pogoń przez Europę.
Katarzyna Blum oskarżona jest o udzielenie pomocy zamieszanemu w rewolucyjną działalność, poszukiwanemu przez policję Ludwigowi Goettenowi. Przesłuchujący ją komisarz współpracuje z mediami. Te niszczą życie prywatne Katarzyny oskarżając ją o złe prowadzenie się, zupełny brak moralności i szkodzenie społeczeństwu. Media wdzierają się w środowisko, w którym wychowywała się Katarzyna, manipulują wypowiedziami świadków, wywierają też presję na chorej matce Katarzyny. Pozostawiona sama sobie Katarzyna nie ma żadnych szans w starciu z prasową nagonką. Postanawia wziąć sprawy we własne ręce. Film jest staranną adaptacją prozy niemieckiego noblisty Heinricha Bölla i echem w dyskusji na temat odbioru publicznego działalności grupy Baader-Meinhof.
W ramach promocji swojego ostatniego filmu młoda reżyserka Anna (Aurore Clément) odbywa długą podróż po Francji, Niemczech i Belgii. Kobieta wielokrotnie zmienia miejsca pobytu, wręcz zdaje się nieustannie błądzić między kolejnymi dworcami, pokojami hotelowymi, mieszkaniami. Jej spotkania z bliskimi bądź nieznajomymi, przygodnie poznanymi osobami na pozór nie wyróżniają się niczym szczególnym. Wszystkie rozmowy prowadzone chłodnym, obojętnym, jakby pozbawionym głębszych emocji tonem charakteryzuje także wyraźnie dostrzegalne rozczarowanie. Sytuacje te stanowią dla Anny możliwość skonfrontowania własnych, często niewypowiedzianych do końca problemów z przekazem wyłaniającym się z bezładnych, nieco chaotycznych wypowiedzi interlokutorów. Po powrocie do Paryża bohaterka pozostaje sama - ciszę w jej mieszkaniu przerywa tylko odtworzone nagranie z automatycznej sekretarki.
Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.
A rather regular state official, who works at the building authority, becomes a puppet of a few super rich. They want to make quite a lot of profit from a planned large-scale building project. Quicker than anticipated, the father-to-be gets surprised by a couple of amenities and notices that life isn’t too bad in the sphere of these semi-legal affairs. Soon, however, he has a prosecuting attorney on his tails and has to decide himself for a side.
Tommie is the absolute loser in his home district of Cologne-Kalk: no money, no apartment of his own, no girlfriend. In the exhaust workshop where he toils, the foreman is constantly angry with him. But Tommie is in a great mood: The video freak dreams enthusiastically through the fantasy world of film art, preferably with the bust sex star Gianna S. in the leading role. Tommie collects exhaust pipes. When he steals a particularly capital specimen from Jupp's swank Mercedes, he gets into real trouble. He has no choice but to return the exhaust to Jupp, but his deadly ultimatum of procuring a case of the rare beer brand "Ramsdorfer Kölsch" by seven o'clock in the evening proves to be insanely difficult. Because at the very same time, "Gianna S." is expected in town...
The history of the eau of Cologne goes back to almost four centuries, a history formed by extraordinary myths, family feuds and treacherous acts of commercial plagiarism. Its gradual use is a reflection of the evolution of society and its morality, in relation to body and hygiene, a gesture of intimacy. First perfume of kings, then the most popular fragrance, within reach of all the pockets.
18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.
Rockpalast recording of Marillions Concert in Live Music Hall Cologne on 24. July 1991. Set-List: 01) Splintering Heart 02) Cover My Eyes 03) Slainte 04) Uninvited Guest 05) The Party 06) Easter 07) No One Can 08) This Town 09) The Rake's PRogress 10) Kayleigh 11) King Of Sunset Town 12) Holidays In Eden 13) Hooks In You 14) Freaks 15) Incommunicado 16) Garden Party 17) Sugar Mice 18) Script For A Jester's Tear
17-year-old Vera Brandes books the Cologne Opera House at her own risk to bring Keith Jarrett to Cologne for a concert in January 1975.
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
We were the milieu! Dummse Tünn, Schäfers Nas and Beckers Schmal, Abels Män, Frischse Pitter and the Lange Tünn ... Names that still have a ring to them in Cologne. Men who came to fame and fortune through their activities in Cologne's underworld and whose stories are brutal and evil, ice-cold and hard-boiled, but also naive, quirky and above all authentic. In the 1960s and 1970s, Cologne was dubbed "Chicago on the Rhine" by the tabloid press.
Based on Tommy Jaud's bestselling novel, this comedy focuses on a dispassionate clerk and his set-backs in life. 29-year-old Simon works in a phone shop, but his thoughts just circle around finding a new girl-friend after being left by his last one year ago. While his Croatian cleaner tries to procure him, his efforts to chat up women in clubs also fail. However, he finds the woman of his dreams (and mother of their future children) in his most hated coffee shop, although not having a clue how to win her heart...
It is the year 2020 and the Corona pandemic has Germany firmly in its grip. Thus, the red-light business must also close its doors and the sex workers are driven onto the unsafe streets, where the situation is shamelessly exploited.
While searching for an ancient burial chamber in Cologne, Dr. Bea Valori has suppressed the fact that she is a very lonely romantic at heart. This seems to change when colleague Michael Burger introduces her to the charismatic Jürgen Wiedener. He teaches minnesong at the university and has very specific ideas about a life for two. At first, Bea feels flattered by Jürgen's declarations of love. But then his courtship becomes more and more insistent. He is prepared to give everything for Bea. Even if it costs him his life...
Italian Francesco ( Mario Adorf ) runs a restaurant in Cologne , partnership is the brewer Zach ( Willy Millowitsch ) . Francesco has problems : a " Godfather" makes Zach an offer he can not refuse , the wedding between Francesco's daughter and Zach son bursts , and his wife threatened behind his affair to come up with kiosk owner Hilde , which lasts at least 18 or older to ...
A closeted Arab wholesale perfume seller, attempting to mask his identity with excessive amounts of Polo Sport Adjacent cologne, is knocked off centre when a charming customer sees through his act.