Para sair da fossa de seu último relacionamento, Adam (Ashton Kutcher) firma um acordo com Emma (Natalie Portman), uma antiga amiga: os dois irão se relacionar sem compromisso. Para isso funcionar, eles impõem algumas regrinhas. No entanto, as coisas logo começam a sair do controle.
Um jovem recém formado em medicina , se torna o mais novo membro em um renomado grupo de patologistas.Suspeitas sobre os seus novos colegas surgem quando estranhos fatos acontecem. Mas Ted (Milo Ventimiglia) está tão deslumbrado com suas novas atividades, que não percebe que está envolvido com um grupo que criou um perigoso "jogo" no qual o objetivo é cometer o crime perfeito, que nem mesmo um patologista possa desvendar. A brincadeira ultrapassa os limites e se torna um verdadeiro pesadelo para todos os envolvidos.
Um filme que mostra o amor entre os membros da família Duval, uma típica família francesa, e aborda as diferentes fases do processo de amadurecer / envelhecer.
Drácula não morreu. Depois de ficar anos desaparecido, o Príncipe das Trevas retorna em mais um filme de terror arrepiante. Um corpo totalmente carbonizado chega ao necrotério. Ao começar a autópsia, a Dra. Elizabeth nota que está de frente para um corpo completamente sem sangue. Inicia-se uma série de experiências que despertam o vampiro enfurecido e sedento. Ele quer secar as veias daquele grupo de homens e mulheres, mas Drácula não sabe que o padre Uffizi está à sua procura. Conhecido caçador de vampiros, ele não descansará enquanto não eliminar mais este sanguessuga. Uma luta desesperada está para começar..
Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.
The first of the seven "Doctor" films, based on Richard Gordon's novels and released between 1954 and 1970. Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longer-serving hopefuls he is soon immersed in the wooing, imbibing and fast sports-car driving that constitute 1950s medical training. There is, however, always the looming and formidable figure of chief surgeon Sir Lancelot Spratt to remind them of their real purpose.
Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.
Marc, an unexperienced medical doctor from Germany arrives at the Hospital Universitario del Valle in Cali, Colombia for his internship and soon finds himself in-between a raging gang war in Siloé, a Cali barrio. In the hospital he has to care mostly for shotgun wounds, while in the streets he falls in love with a stall-holder who cares for some of the children involved in drug trafficking and criminal violence. Alienating his colleagues and his host family while befriending the kids, he soon finds himself trapped in the center of the violent conflict between the gangs and has to come to a decision.
After confronting his professor, a student of medicine loses his illegal bed in student housing and finds a job as a housemaid at Sava Mitrovic house. The family happiness soon turns into a chaos, falling apart like a Robert Hall suit.
Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.