Chris Burnett, un jeune lieutenant des forces armées américaines, se voit confier une mission de reconnaissance à la veille de Noël. Accompagné de Stackhouse, il doit survoler une zone démilitarisée de l'ex-Yougoslavie. Là, les deux hommes découvrent l'existence de véhicules blindés. Burnett les photographie, mais les troupes serbes au sol déclenchent des tirs de DCA. L'avion, touché par un missile, s'écrase. Les deux pilotes s'en sortent indemnes, mais les représailles continuent et Stackhouse se fait tuer. Chris, désarmé et sous le choc, n'a pas d'autre choix que de prendre la fuite avec sa radio. En plein territoire inconnu, il se retrouve traqué par des Serbes dont il ignore les intentions. Aux États-Unis, l'amiral Leslie Reigart reste convaincu que les deux hommes ont survécu à l'explosion. Écoutant son instinct, il met sur pied sa propre mission de sauvetage.
Joshua Rodes perd sa famille dans un tragique attentat terroriste à Paris. Fou de douleur, il décide de venger froidement leur mort. Pour échapper à la justice il rejoint la Légion étrangère puis s'engage comme mercenaire au service des Serbes. Devenu Guy, il s'enfonce dans l'horreur de la guerre. Apres un échange de prisonniers, il prend la défense de Vera, une Serbe violée par un Musulman, qui se retrouve enceinte. Guy va l'aider à accoucher et protéger la mère et l'enfant. Mais Vera repousse sa petite fille tandis que Guy s'attache progressivement à elle.
After twelve years spent abroad, the main character returns to his native city, where he meets his old love, friends and parents again They spend four days together and after that nothing will be the same in their lives. TOMORROW MORNING is a love drama. It speaks of a deep passion, sensuality, tenderness, jealousy, possessiveness , infidelity -conflict between irrational and rational. But, above all, it speaks of a need to bring back time, to treasure the moment of happiness and togetherness, the time of great expectations, the moment that happens once and never returns. It speaks of self rediscovery.
Jack Elgin (Jeremy Irons), un journaliste londonien sans histoire, part en voyage avec sa femme, Maria (Briony Glassco), et ses trois enfants. Lors d'une escale imprévue, l'avion, dans lequel ils ont embarqué, est détourné par des terroristes slaves à des fins politiques. La prise d'otages tourne mal et Jack assiste, impuissant, à l'assassinat de son épouse et de ses filles. Lui et son plus jeune fils ont la vie sauve et c'est pour ce dernier et la mémoire des siens que Jack va se battre.
In the mean streets of London's East End, a former Serbian commando and a fourteen-year old boy plot revenge against a powerful crime lord and his ruthless lieutenants. As our heroes prepare to take on their enemies, the boy is mentored in the dark arts of assassination and learns the true meaning of friendship, honor and respect.
A woman who is raped and gives birth to a child in war torn Kosovo, struggles to keep her child.
During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.
At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.
Après la guerre du Kosovo, un garçon serbe se lie d'amitié avec deux petits Albanais. Les conflits intercommunautaires les rattraperont, malgré eux... Salué à sa sortie en Serbie, Enclave se place à hauteur d'enfant et instille une mélancolie palpable.
Several people get locked in a turkish bath at night, being hunted by a brutal serial killer, who seems to be seized with the T.T. Syndrome, a brain malady that leads to painful sociopathy.
The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.
A man wakes up in a square of an unknown city again and again, after each failed attempt to escape four masked assassins. Through the never ending chase, he tries to recover his identity, and find out who set him up.
Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.
Sarajevo June 28, 1914. Dushan, the Serbian mayor of a Hungarian town, has come to see the parade of Archduke Ferdinand. While there he runs into Geza, an old friend in the Hungarian Army and invites him to come to his house and visit him and his new wife.
Elsie Inglis and the work of the Scottish Women's Hospitals (SWH) are captivating. Elsie and the other women did not conform to the stereotype of women in war. They were operating close to the fighting on both the Western Front and in the Balkans. Also, the SWH's were run entirely and predominantly staffed by women. This meant that there were not only women doctors, rare enough in the early twentieth century but like Elsie, women surgeons.
« Une réédition d’un bon vieux film, arrangé, embelli et commenté par Dušan Makavejev » dixit le générique. Les images du premier film parlant yougoslave – film autobiographique réalisé en 1942 sous l’occupation – se télescopent, 36 ans plus tard, avec les propos de Dragoljub Aleksić, personnage truculent, serrurier, acrobate et réalisateur de ce film longtemps perdu, d’une partie de son équipe et des images d’actualité.
An apotheosis of loyalty and love. A tale of lost happiness and dreams, fears and transience, supremacy of fate and laws of nature, gratitude and cruelty of nature, inability of man to change that and influence the course of his own life.
Two of the most popular Serbian actors discover a script that they immediately want to work on, forgetting that creating in Serbia isn't as easy as it seems.
Made in the form of an extended news report and narrated by journalist Dina Čolić-Anđelković, the film presents a snapshot of the chaotic Belgrade criminal underworld in the early 1990s which sprung up against the backdrop of Yugoslav wars. The film is composed of fragments from interviews with individuals directly involved with criminal activities either through perpetrating them or through trying to stop them.
Follows a Serbian refugees mother and daughter, as they struggle to navigate the many obstacles facing newcomers to Canada.