Scénario du film Passion (1982)
نظرة عامة
Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.
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Director
الحالة تم عرضه
اللغة الأصلية الفرنسية
الميزانية -
الإيرادات -
الكلمات الدالّة
لم يتم إضافة أي كلمات دالّة.
درجة المحتوى
76
شدوا الهمة! اقتربنا الآن.
اعلى المساهمين
اتجاه الشعبية
سجل الدخول للإبلاغ عن مشكلة