This felt like the work of one of those Italian horror directors who boost the horror and conflict but fail to find a sane centre - a comfortable ‘normal world’ we can enjoy before everything goes crazy.

It’s a shame because the few moments in which the many protagonists aren’t tormented by either supernatural clown demons, homicidal bullies or horribly abusive adults are engaging and charming thanks to the talented young cast.

Salem’s Lot was a King that set up the ‘normal world’ perfectly and honoured King’s secret - detailed and intimate characterisation which must then contend with the horrors to come. This was just too much horror porn and over cooked childhood trauma, all in a sugary sweet setting. It feels awkward but not in a deliberate way like The Shining, which is clearly abstract from beginning to end.

I actually really enjoyed the film, and it’s got more going for it than most studio output these days, but it just needed to calm down. Also, enough with the boo-scare sound effects, sudden loud music and overcranked famerate - used sparingly these things can be effective but here it actually detracts from some otherwise impressive imagery.

A director’s cut could solve the problems, and if the reviews are decent then I’m interested to check out the sequel.