Inspite of Argento's dissatisfaction, Suspiria (by Guadagnino) is an evocative reinterpretation. Maybe it is the original creator's prerogative to criticize the execution when remaking classic cinema, peronally, I find the criticism also takes itself too seriously.

Reimagination through the milieu (post-war Germany) affords a shift in depth and focus without complicating the narrative with self-referentiality. Although details have been torn apart for lack of relevance, to my mind, if the director chose any setting, naivety or irrelevance would still be the low-hanging fruit of critics. The... читати далі.