In a world that's powered by violence, on the streets where the violent have power, a new generation carries on an old tradition.

Martin Scorsese’s Goodfellas is without question one of the finest gangster movies ever made, a benchmark even. It’s that rare occasion for a genre film of this type where everything artistically comes together as one. Direction, script, editing, photography, driving soundtrack and crucially an ensemble cast firing on all cylinders. It’s grade “A” film making that marked a return to form for Scorsese whilst simultaneously showing the director at the summit of his... lire la suite.

Martin Scorsese (director) always loves details in crime films, but he is not primarily interested in the crime itself. That is why his films are always produced with details that you may see as unimportant to you, especially if you want to see the movie for the purpose of seeing scenes of theft, murder, and so on, but you see the opposite. Somewhat other details are visible on the scene mostly

The film talks about liberation, stereotypes, and entering a new world for humanity. It was Ray Liotta (Henry). He wanted, as I said, to break free from stereotypes and enter the world of gangs.

Ma... lire la suite.

Ray Liotta is superb here as "Henry Hill", a man whom ever since he was young has been captivated by the mob. He starts off as a runner and before too long has ingratiated himself with the local fraternity lead by "Paulie" (Paul Sorvino) and is best mates with fellow hoods, the enigmatic and devious "Jimmy" (Robert De Niro) and the excellently vile "Tommy" (Joe Pesci). They put together an audacious robbery at JFK and are soon the talk of the town, but the latter in the trio is a bit of a live-wire and when he goes just a bit too far one night, the three of them find that their really quite idy... lire la suite.