Chinese (zh-CN)

Name

史蒂文·索德伯格

Biography

史蒂文·安德鲁·索德伯格(Steven Andrew Soderbergh,1963 年 1 月 14 日出生)是美国电影导演、制片人、编剧、摄影师和剪辑师。作为现代独立电影的先驱,索德伯格后来因在制片厂系统内制作的形式创造性电影而广受赞誉。

索德伯格的导演突破,独立剧情片《性、谎言和录像带》(1989 年)使他成为公众关注的焦点,成为电影界的知名人物。26岁时,索德伯格成为获得戛纳电影节金棕榈奖的最年轻的独立导演,这部电影获得了全球商业上的成功,并获得了无数赞誉。他接下来的五部电影,包括《山丘之王》(1993),在商业上并不成功。他凭借犯罪喜剧《看不见》(1998)、传记片《艾琳·布罗科维奇》(2000)和犯罪剧情片《交通》(2000)转向更主流的电影。凭借《交通》,他获得了奥斯卡最佳导演奖。

他在《海洋》三部曲和电影系列(2001-18 年)中获得了进一步的流行和评论界的成功;Che(2008年);线人!(2009);传染 (2011);Haywire(2011年);魔术迈克 (2012);副作用 (2013);洛根幸运 (2017);Unsane (2018年);让他们都说话 (2020);没有突然的举动 (2021);和 Kimi (2022)。他的电影生涯跨越了多种类型,但他的专长是心理、犯罪和抢劫电影。他的电影在全球的票房收入超过22亿美元,并获得了14项奥斯卡金像奖提名,赢得了5项提名。

索德伯格的电影经常围绕着熟悉的概念展开,这些概念经常被用于大预算的好莱坞电影,但他经常采用前卫的艺术方法。它们以个人身份转变、复仇、性、道德和人类状况等主题为中心。由于他受到前卫电影的影响,再加上他使用非常规的电影和相机格式,他的故事片在电影摄影领域往往与众不同。索德伯格的许多电影都以多维故事情节为基础,具有情节曲折、非线性叙事、实验性序列、悬疑音景和第三人称有利位置。

English (en-US)

Name

Steven Soderbergh

Biography

Steven Andrew Soderbergh (born January 14, 1963) is an American film director, producer, screenwriter, cinematographer, and editor. A pioneer of modern independent cinema, Soderbergh later drew acclaim for formally inventive films made within the studio system.

Soderbergh's directorial breakthrough, the indie drama Sex, Lies, and Videotape (1989), lifted him into the public spotlight as a notable presence in the film industry. At 26, Soderbergh became the youngest solo director to win the Palme d'Or at the Cannes Film Festival, and the film garnered worldwide commercial success, as well as numerous accolades. His next five films, which included King of the Hill (1993), were commercially unsuccessful. He pivoted into more mainstream fare with the crime comedy Out of Sight (1998), the biopic Erin Brockovich (2000) and the crime drama Traffic (2000). For Traffic, he won the Academy Award for Best Director.

He found further popular and critical success with the Ocean's trilogy and film franchise (2001–18); Che (2008); The Informant! (2009); Contagion (2011); Haywire (2011); Magic Mike (2012); Side Effects (2013); Logan Lucky (2017); Unsane (2018); Let Them All Talk (2020); No Sudden Move (2021); and Kimi (2022). His film career spans a multitude of genres, but his specialties are psychological, crime and heist films. His films have grossed over US$2.2 billion worldwide and garnered fourteen Academy Award nominations, winning five.

Soderbergh's films often revolve around familiar concepts which are regularly used for big-budget Hollywood movies, but he routinely employs an avant-garde arthouse approach. They center on themes of shifting personal identities, vengeance, sexuality, morality, and the human condition. His feature films are often distinctive in the realm of cinematography as a result of his having been influenced by avant-garde cinema, coupled with his use of unconventional film and camera formats. Many of Soderbergh's films are anchored by multi-dimensional storylines with plot twists, nonlinear storytelling, experimental sequencing, suspenseful soundscapes, and third-person vantage points.

Description above from the Wikipedia article Steven Soderbergh, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Korean (ko-KR)

Name

스티븐 소더버그

Biography

Portuguese (pt-BR)

Name
Biography

Steven Andrew Soderbergh é um cineasta estadunidense. É creditado algumas vezes em filmes como Peter Andrews, Sam Lowry ou Mary Ann Bernard.

Spanish; Castilian (es-ES)

Name
Biography

Ukrainian (uk-UA)

Name
Biography

Стівен Содерберґ — американський кінорежисер, сценарист, продюсер і кінооператор.

Коли він був ще дитиною, сім’я переселилася спочатку в Піттсбурґ, а згодом у Батон-Руж (штат Луїзіана), де його батько отримав посаду декана місцевого університету.

Ще під час навчання у середній школі Стівен записується на курси аніматорів, де створює свої перші короткометражні фільми. Після закінчення школи Содерберґ переїздить у Голлівуд. Там він влаштовується на роботу позаштатного редактора, але досить швидко повертається назад додому. У Батон-Руж молодий режисер починає працювати у відеостудії, що займається виробництвом рекламних роликів і музичних відеокліпів. Водночас продовжує знімати короткометражки та писати сценарії. У 1986 році Содерберґ знімає документальний фільм про концерт групи Yes — Yes: 9012 Live, за що був номінований на премію «Греммі»

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