Translations 5
Alemana (de-DE) |
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Alemana (de-CH) |
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Margit Carstensen |
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Espainola; gaztelania (es-ES) |
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Margit Carstensen (Kiel, 29 de febrero de 1940) es una actriz alemana. Tras estudiar interpretación en la Hochschule für Musik und Theater Hamburg, empezó a trabajar con el Theater der Freien de Bremen. Fue en esa época cuando conoció al director de cine Rainer Werner Fassbinder, con el que trabajó en muchas películas, desde 1970 a 1980. |
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Ingelesa (en-US) |
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Margit Carstensen |
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Margit Carstensen (29 February 1940 – 1 June 2023) was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder. Carstensen was born and raised in the northern German city of Kiel. Upon graduation from the local high school in 1958, she studied acting at the Hochschule für Musik und Theater Hamburg. This education led to her first stage appearances in Kleve, Heilbronn, Münster, and Braunschweig. In 1965, Carstensen began a four-year engagement with the German Playhouse in Hamburg. In 1969, she gained a local profile for her work in the Theater am Goetheplatz in Bremen, where she first met director Rainer Werner Fassbinder. She then worked under his direction in a comedy by the 18th-century Venetian Carlo Goldoni, The Coffee Shop (which was recorded for television in 1970), bringing her national attention in West Germany. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder's own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House. Outside of theatre, Carstensen played leading roles in the Fassbinder films The Bitter Tears of Petra von Kant (1972), her best-known role for him; Martha (1974), analysing a traditional marriage in a contemporary setting; Fear of Fear (1975); Mother Küsters' Trip to Heaven (1975); Satan's Brew (1976); Chinese Roulette (1976) and Women in New York (1977). She also appeared in episodes of two Fassbinder television productions: Eight Hours Don't Make a Day (1972), and Berlin Alexanderplatz (1980). From 1973 to 1976, Carstensen held a steady acting engagement in Darmstadt. In 1977, she moved to West Berlin where she performed on the highly regarded Staatliche Schauspielbühnen. In 1982, she moved to Stuttgart in order to work with director Hansgünther Heyme, where she appeared in a series of plays directed by him. During this time, Carstensen also worked in international film productions, such as Andrzej Żuławski's Possession (1981) and Agnieszka Holland's Angry Harvest (1985); the latter was nominated for an Academy Award for Best Foreign Language Film. By the late 1980s, she had developed ongoing working relationships with German directors Werner Schroeter, Christoph Schlingensief, and Leander Haußmann. For the 2003–04 season, Carstensen appeared in the Vienna Burgtheater, in the premiere of Elfriede Jelinek's play Bambiland under the direction of Schlingensief. During the 2007–08 season Carstensen assisted with the Austrian-German TV documentary Mr. Karl – A Person for People, directed by Kurt Mayer. In 2016, she was still on television, appearing in the long-running series Tatort. Carstensen received many awards in her career. Among these were the 1973 German Film Awards (Gold), for her acting in The Bitter Tears of Petra von Kant, and the 2002 Bavarian Film Award, for her acting in Scherbentanz. In 1972 she was chosen by the German Film Critics Guild as Best Actress of the Year. In 2019, she was awarded the Götz-George-Preis for her life's work. Description above from the Wikipedia article Margit Carstensen, licensed under CC-BY-SA, full list of contributors on Wikipedia. |
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Txinera (zh-CN) |
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玛吉特·卡斯滕森 |
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玛吉特·卡斯滕森(Margit Carstensen,1940 年 2 月 29 日 - 2023 年 6 月 1 日)是一位德国戏剧和电影女演员,因在电影导演莱纳·维尔纳·法斯宾德 (Rainer Werner Fassbinder) 的作品中扮演角色而在德国以外广为人知。 卡斯滕森在德国北部城市基尔出生和长大。1958年从当地高中毕业后,她在汉堡音乐与戏剧学院学习表演。这种教育使她首次在克莱夫、海尔布隆、明斯特和布伦瑞克登台演出。1965年,卡斯滕森开始与汉堡的德国剧院合作,为期四年。 1969年,她因在不来梅歌德广场剧院的工作而在当地享有盛誉,在那里她第一次见到了导演莱纳·维尔纳·法斯宾德。然后,她在他的指导下出演了 18 世纪威尼斯人卡洛·戈尔多尼 (Carlo Goldoni) 的喜剧《咖啡店》(1970 年被录制成电视剧),在西德引起了全国的关注。随后,她在法斯宾德自己的戏剧《不来梅自由》(1972 年也在电视上播出)的首映式中扮演连环杀人犯吉什·戈特弗里德 (Geesche Gottfried) 的角色,然后在他的亨利克·易卜生改编的诺拉·赫尔默(1974 年在电视上播出)中扮演主角改编自《玩偶之家》。在戏剧之外,卡斯滕森在法斯宾德的电影《佩特拉·冯·康德的苦泪》(1972)中担任主角,这是她最著名的角色。Martha(1974),分析当代背景下的传统婚姻;恐惧的恐惧 (1975);库斯特母亲的天堂之旅 (1975);撒旦的酿造 (1976);中国轮盘赌(1976年)和纽约的女人(1977年)。她还出演了两部法斯宾德电视作品的剧集:《八小时不做一天》(1972年)和《柏林亚历山大广场》(1980年)。 从1973年到1976年,卡斯滕森在达姆施塔特保持着稳定的表演活动。1977年,她移居西柏林,在备受推崇的Staatliche Schauspielbühnen演出。1982年,她移居斯图加特,与导演汉斯京特·海姆(Hansgünther Heyme)合作,在那里她出演了他执导的一系列戏剧。 在此期间,卡斯滕森还参与了国际电影制作,如安杰伊·祖拉夫斯基的《占有》(1981)和阿格涅什卡·霍兰德的《愤怒的收获》(1985);后者获得了奥斯卡最佳外语片奖提名。到1980年代后期,她与德国导演维尔纳·施罗特(Werner Schroeter)、克里斯托夫·施林格塞夫(Christoph Schlingensief)和利安德·豪斯曼(Leander Haußmann)建立了持续的合作关系。 在2003-04赛季,卡斯滕森出现在维也纳城堡剧院,在施林格塞夫的指导下首演了埃尔弗里德·耶利内克的戏剧《小鹿斑比》。在2007-08赛季,卡斯滕森协助拍摄了由库尔特·梅耶尔(Kurt Mayer)执导的奥地利-德国电视纪录片《卡尔先生——为人民服务的人》。 2016 年,她还在电视上,出现在长期播出的连续剧 Tatort 中。 卡斯滕森在她的职业生涯中获得了许多奖项。其中包括 1973 年德国电影奖(金奖),以表彰她在《佩特拉·冯·康德的苦泪》中的表演,以及 2002 年巴伐利亚电影奖,以表彰她在 Scherbentanz 中的表演。1972年,她被德国影评人协会选为年度最佳女演员。2019 年,她因其毕生的工作而被授予 Götz-George-Preis 奖。 |
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