Edwin S. Porter

Kişisel Bilgi

Bilinen İşi Yönetmen

Bilinen Filmleri 178

Cinsiyet Erkek

Doğum Günü , 21, 1870

Ölüm Günü , 30, 1941 (71 yaşında)

Doğum Yeri Connellsville, Pennsylvania, USA

Ayrıca Şöyle de Bilinir

  • Edwin Stratton Porter
  • Ed Porter
  • Edward Porter
  • 에드윈 S. 포터
  • 에드윈 포터

İçerik Sonucu 

100

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Biyografi

Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Influenced by both the "Brighton school" and the story films of Georges Méliès, Porter went on to make important shorts such as Life of an American Fireman (1903) and The Great Train Robbery (1903). In them, he helped to develop the modern concept of continuity editing, paving the way for D.W. Griffith who would expand on Porter's discovery that the unit of film structure was the shot rather than the scene. Porter, in an attempt to resist the new industrial system born out of the popularity of nickelodeons, left Edison in 1909 to form his own production company which he eventually sold in 1912.

Porter remains an enigmatic figure in motion picture history. Though his significance as director of The Great Train Robbery and other innovative early films is undeniable, he rarely repeated an innovation after he had used it successfully, never developed a consistent directorial style, and in later years never protested when others rediscovered his techniques and claimed them as their own. He was a modest, quiet, cautious man who felt uncomfortable working with the famous stars he directed starting in 1912.

He has directed four films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: Life of an American Fireman (1903), The Great Train Robbery (1903), Dream of a Rarebit Fiend (1906) and Tess of the Storm Country (1914).

Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Influenced by both the "Brighton school" and the story films of Georges Méliès, Porter went on to make important shorts such as Life of an American Fireman (1903) and The Great Train Robbery (1903). In them, he helped to develop the modern concept of continuity editing, paving the way for D.W. Griffith who would expand on Porter's discovery that the unit of film structure was the shot rather than the scene. Porter, in an attempt to resist the new industrial system born out of the popularity of nickelodeons, left Edison in 1909 to form his own production company which he eventually sold in 1912.

Porter remains an enigmatic figure in motion picture history. Though his significance as director of The Great Train Robbery and other innovative early films is undeniable, he rarely repeated an innovation after he had used it successfully, never developed a consistent directorial style, and in later years never protested when others rediscovered his techniques and claimed them as their own. He was a modest, quiet, cautious man who felt uncomfortable working with the famous stars he directed starting in 1912.

He has directed four films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: Life of an American Fireman (1903), The Great Train Robbery (1903), Dream of a Rarebit Fiend (1906) and Tess of the Storm Country (1914).

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Prodüksiyon

1910
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1906
1903

Yazar

1911
1908
1903

Oyunculuk

1982
1903

Personel

1908
1901

Kurgu

1913

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