인물 정보
전문 분야 카메라
참여 작품 수 74
성별 남성
생일 9월 15, 1940 (83 years old)
출생지 Kington, Herefordshire, England, UK
다른 이름
- Christopher J. Menges
- Christopher Menges
문서 점수
100
좋아요! 알찬 문서입니다!
문제 보고를 하려면 로그인 해주십시오
약력
As an Academy Award-winning cinematographer who made the successful segue to directing features, Chris Menges has carved out a successful, but understated career. Menges got his start as an assistant editor and camera operator and even worked as a sound recordist several times, before working his way up to director of photography. Menges had his first real break as a documentary cameraperson and editor in the 1960s and 1970s, traveling wherever there was war and insurrection - Burma, Angola, Vietnam and Tibet - while working with filmmaker Adrian Cowell. Once he made the permanent jump to feature films in the 1980s, Menges developed a style as a cinematographer that never overwhelmed audiences with gaudy colors or outlandish camera moves In fact, Menges understood the oft-accepted theory that color could be less realistic than black and white, because it focused the audience away from emotion to an object. Menges' work was defined by a low-key naturalism, plain composition, and a mix of lenses to tug at the audience at the appropriate moments, which helped him craft memorable images in several award-winning films, including "The Killing Fields" (1984), "Michael Collins" (1996) and "The Reader" (2008).
IMDb mini bio by yusufpiskin
As an Academy Award-winning cinematographer who made the successful segue to directing features, Chris Menges has carved out a successful, but understated career. Menges got his start as an assistant editor and camera operator and even worked as a sound recordist several times, before working his way up to director of photography. Menges had his first real break as a documentary cameraperson and editor in the 1960s and 1970s, traveling wherever there was war and insurrection - Burma, Angola, Vietnam and Tibet - while working with filmmaker Adrian Cowell. Once he made the permanent jump to feature films in the 1980s, Menges developed a style as a cinematographer that never overwhelmed audiences with gaudy colors or outlandish camera moves In fact, Menges understood the oft-accepted theory that color could be less realistic than black and white, because it focused the audience away from emotion to an object. Menges' work was defined by a low-key naturalism, plain composition, and a mix of lenses to tug at the audience at the appropriate moments, which helped him craft memorable images in several award-winning films, including "The Killing Fields" (1984), "Michael Collins" (1996) and "The Reader" (2008).
IMDb mini bio by yusufpiskin
카메라
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
||||||||||||
|
연기
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
연출
|
|||
|
|||
|
|||
|
제작진
|